Editing Zim Zum
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| − | In the | + | In the summer of 1998 Zim Zum left Marilyn Manson. The exact circumstances of his departure are not entirely clear as Zim Zum stated he resigned over creative differences, while Manson has claimed to have fired Zim for not attending band practice. After this he went on to pursue solo interests, including collaborations with with Cher and her son, Elijah Blue Allman ("Crimson and Clover" for the A Walk on the Moon Soundtrack), Korn (a remix of "Got the Life" with producer Josh Abraham), an appearance in Jane's Addictions "Three Days" concert film and a now notorious VH1's Behind the Music. He was also interviewed by Metal Edge, Alternative Press magazine, Kerrang! magazine and Bizarre Magazine and was named as one of the most influential guitar players of the last 4 decades by Guitar One magazine. |
Zim left Hollywood behind and returned home, compelled to explore his musical vision in an art and music district in Chicago. Treading upon uncharted mental ground, he completely isolated himself in his Chicago studio (25/8) for more than a year, cutting off all ties to the outside world (no TV, radio or friends, barely talking to anyone) in an effort to guarantee the creation and production of his music completely unique in perspective and true to his own definitive musical statement. During that “self-imposed exile” he spent 14 hours a day writing and recording over 100 songs. This isolation experiment resulted in songs eerily echoing their creator's most intimate thoughts, moods, and personal struggles. | Zim left Hollywood behind and returned home, compelled to explore his musical vision in an art and music district in Chicago. Treading upon uncharted mental ground, he completely isolated himself in his Chicago studio (25/8) for more than a year, cutting off all ties to the outside world (no TV, radio or friends, barely talking to anyone) in an effort to guarantee the creation and production of his music completely unique in perspective and true to his own definitive musical statement. During that “self-imposed exile” he spent 14 hours a day writing and recording over 100 songs. This isolation experiment resulted in songs eerily echoing their creator's most intimate thoughts, moods, and personal struggles. | ||
