Difference between revisions of "Triptych"
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''Mechanical Animals'' focuses on [[Omega|Omēga]], an androgynous, decadent and vacuous rock star who has become numb to the world through excessive drug use as a way to cope with life as a product of his corporate masters. He is in constant search of a girl named Coma White, and is not sure if she is real or simply a drug induced hallucination. His internal thoughts show how disassociated he is from the real world while all of his rock anthems are simply hollow. At the climax of the album in [[Untitled]], he comes to terms with his life and seems ready to make a choice but whether that choice is to change his life or end it is unclear. | ''Mechanical Animals'' focuses on [[Omega|Omēga]], an androgynous, decadent and vacuous rock star who has become numb to the world through excessive drug use as a way to cope with life as a product of his corporate masters. He is in constant search of a girl named Coma White, and is not sure if she is real or simply a drug induced hallucination. His internal thoughts show how disassociated he is from the real world while all of his rock anthems are simply hollow. At the climax of the album in [[Untitled]], he comes to terms with his life and seems ready to make a choice but whether that choice is to change his life or end it is unclear. | ||
− | Finally, ''[[Antichrist Superstar]]'' follows a man (named [[The Worm]]) who, like Adam Kadmon, attempts to lead a massive revolution against the world. The revolution plot line may also be seen as a retrospective of his journey up to that point. The Worm is likened to "an insignificant shadow looking for his place in an infinite world of light." In his quest to empowerment he fashions himself into an influential rock star, spreading the message of self-determination and railing against '[[The Beautiful People]]' for which he is adored by people. However, the Worm soon sinks into an apathy and hatred for those very adoring fans and the world whom he views as "victims", weak and imitative (also what philosopher Friedrich Nietzsche viewed as 'slaves' in his ''Master-Slave'' theory). His message then is frustrated and seems futile. This failure leaves him cold, determining to use his power and influence instead to become a repressive and nihilistic fascist tyrant, the eponymous "Antichrist Superstar", known alternatively as "[[The Disintegrator]]", as he believes that is what the people truly desire; a master-slave dynamic. In his vitriol and disgust, he tears down everything his revolution fought for, oppresses the very people he aimed to lift up and destroys everyone and everything around him declaring "When you are suffering know that I have betrayed you". | + | Finally, ''[[Antichrist Superstar]]'' follows a man (named [[The Worm]]) who, like Adam Kadmon, attempts to lead a massive revolution against the world. The revolution plot line may also be seen as a retrospective of his journey up to that point. The Worm is likened to "an insignificant shadow looking for his place in an infinite world of light." In his quest to empowerment he fashions himself into an influential rock star influential rock star and a self-realized hierophant who takes the shape of a fallen angel patterned after Lucifer, spreading the message of self-determination and railing against '[[The Beautiful People]]' for which he is adored by people. However, the Worm soon sinks into an apathy and hatred for those very adoring fans and the world whom he views as "victims", weak and imitative (also what philosopher Friedrich Nietzsche viewed as 'slaves' in his ''Master-Slave'' theory). His message then is frustrated and seems futile. This failure leaves him cold, determining to use his power and influence instead to become a repressive and nihilistic fascist tyrant, the eponymous "Antichrist Superstar", known alternatively as "[[The Disintegrator]]", as he believes that is what the people truly desire; a master-slave dynamic. In his vitriol and disgust, he tears down everything his revolution fought for, oppresses the very people he aimed to lift up and destroys everyone and everything around him declaring "When you are suffering know that I have betrayed you". |
How these three plots link together, should it be linearly or separated is unknown and for the listener to decide. | How these three plots link together, should it be linearly or separated is unknown and for the listener to decide. |
Revision as of 05:56, 10 August 2010
The Triptych comprises three records Marilyn Manson released between 1996 and 2000: 1996's Antichrist Superstar, 1998's Mechanical Animals and 2000's Holy Wood (In the Shadow of the Valley of Death). Each album represents some semi-autobiographical aspect of Manson himself, and although made up of three records, it is considered one body of work by Manson and the fanbase.
Disclaimer
While the plot of the Triptych is often dissected and discussed by fans, it should be noted that little has been explained by the band and even that must be taken with a grain of salt. For example, Manson had initially conceived Mechanical Animals as a sequel to Antichrist Superstar, following The Worm after its fall from power. However, when Holy Wood was released the story was now to be read in an inversed order and suddenly Mechanical Animals was a prequel to Antichrist Superstar rather than its sequel. This shows that the actual story was not conceived linearly and ideas that initially represented or referred to one thing, may now have a meaning entirely different from that which was originally intended.
The only official text on the matter, the Holy Wood Novel, remains unreleased and all other writings are pure fan speculation and conjecture. Some theorize that the three albums present a linear storyline with one character growing and transforming throughout. Others take the "triptych" term literally and interpret the albums as three separate stories that happen simultaneously to three separate characters, possibly in three separate worlds. More ambitious theories feel that Manson writes one continuous storyline throughout all his works and attempt to integrate ideas from other albums and EPs such as The Golden Age of Grotesque and Smells Like Children for example.
The theories are many, and can range from broad to detailed and from outlandish to logical. The only element they all have in common is that none are official. The official story has yet to be explained outright by Marilyn Manson (the man or the band). Even if it were to be explained now, Manson's personal perception of the story may have changed (just as it changed when he decided that the albums were no longer a linear duology but an inversed triptych) and an explanation entirely different from the original intent may be given.
In summary: when reading theories on the plot of the "triptych" keep in mind that it is all fan speculation and nothing more.
Plot
The Triptych's most commonly accepted timeline begins with Holy Wood (In the Shadow of the Valley of Death), Mechanical Animals, and finally Antichrist Superstar, reversed from the actual release order of each album. However, each album's interpretation is debatable, and far more so when interpreted as a whole story.
In "Holy Wood" the character is Adam Kadmon, a rebel from the Valley of Death, which is essentially a dwelling of society's outcasts. He leads a revolution against Holy Wood, which is populated by the rich and famous and powerful, who oppress the Valley of Death, and ruled by the corrupt President White and his daughter Coma White [1]. His revolution is a bitter sweet success in that while he does eradicate Holy Wood, this results in the disenfranchised becoming the mainstream and the status quo. This newfound power and glory proceeds to erode them of their original guiding principles, turning them into the same superficial, back-stabbing and sycophantic monsters as the previous denizens of Holy Wood. All of this leads to Adam playing Russian Roulette at the end of Count to Six and Die with his fate left unknown.
Mechanical Animals focuses on Omēga, an androgynous, decadent and vacuous rock star who has become numb to the world through excessive drug use as a way to cope with life as a product of his corporate masters. He is in constant search of a girl named Coma White, and is not sure if she is real or simply a drug induced hallucination. His internal thoughts show how disassociated he is from the real world while all of his rock anthems are simply hollow. At the climax of the album in Untitled, he comes to terms with his life and seems ready to make a choice but whether that choice is to change his life or end it is unclear.
Finally, Antichrist Superstar follows a man (named The Worm) who, like Adam Kadmon, attempts to lead a massive revolution against the world. The revolution plot line may also be seen as a retrospective of his journey up to that point. The Worm is likened to "an insignificant shadow looking for his place in an infinite world of light." In his quest to empowerment he fashions himself into an influential rock star influential rock star and a self-realized hierophant who takes the shape of a fallen angel patterned after Lucifer, spreading the message of self-determination and railing against 'The Beautiful People' for which he is adored by people. However, the Worm soon sinks into an apathy and hatred for those very adoring fans and the world whom he views as "victims", weak and imitative (also what philosopher Friedrich Nietzsche viewed as 'slaves' in his Master-Slave theory). His message then is frustrated and seems futile. This failure leaves him cold, determining to use his power and influence instead to become a repressive and nihilistic fascist tyrant, the eponymous "Antichrist Superstar", known alternatively as "The Disintegrator", as he believes that is what the people truly desire; a master-slave dynamic. In his vitriol and disgust, he tears down everything his revolution fought for, oppresses the very people he aimed to lift up and destroys everyone and everything around him declaring "When you are suffering know that I have betrayed you".
How these three plots link together, should it be linearly or separated is unknown and for the listener to decide.
Tracklisting
The linear chronology of the triptych is the reversed order of Manson's albums, Holy Wood, Mechanical Animals, and Antichrist Superstar and is known to be cyclical, meaning that the storyline comes full circle with the completion of each album in the storyline.
A: In the Shadow
D: The Androgyne
- "Target Audience (Narcissus Narcosis)"
- "President Dead"
- "In the Shadow of the Valley of Death"
- "Cruci-Fiction in Space"
- "A Place in the Dirt"
A: Of Red Earth
M: The Fallen
- "Coma Black"
- "Valentine's Day"
- "The Fall of Adam"
- "King Kill 33°"
- "Count to Six and Die (The Vacuum of Infinite Space Encompassing)"
Alpha Songs
- "Great Big White World"
- "Mechanical Animals"
- "Disassociative"
- "The Speed of Pain"
- "Posthuman"
- "The Last Day on Earth"
- "Coma White"
Omēga Songs
- "The Dope Show"
- "Rock Is Dead"
- "I Want to Disappear"
- "I Don't Like the Drugs (But the Drugs Like Me)"
- "New Model No. 15"
- "User Friendly"
- "Fundamentally Loathsome"
Cycle I: The Heirophant
- "Irresponsible Hate Anthem"
- "The Beautiful People"
- "Dried Up, Tied and Dead to the World"
- "Tourniquet"
Cycle II: Inauguration of the Worm
- "Little Horn"
- "Cryptorchid"
- "Deformography"
- "Wormboy"
- "Mister Superstar"
- "Angel with the Scabbed Wings"
- "Kinderfeld"
- Cycle III: Disintegrator Rising
- "Antichrist Superstar"
- "1996"
- "Minute of Decay"
- "The Reflecting God"
- "Man That You Fear"
- "Track 99"
Trivia
- There are 51 total tracks in the Triptych. Just as the Triptych unfolds in reverse, 51 reversed is 15, which is a recurring number in the band's work.
- The three albums involved with the Triptych are considered Manson's magnum opus by most.