Difference between revisions of "The Telephone"

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{{Song
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| Name        = The Telephone
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| Cover      = TheBeaverMeatCleaverBeat.png
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| Artist      = [[Marilyn Manson & the Spooky Kids]]
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| Album      = [[The Beaver Meat Cleaver Beat]]
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| Released    = March 1990
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| Recorded    = January–March 1990
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| Genre      = Alternative metal
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| Length      = 2:57
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| Label      = Beat Up Your Mom
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| Writer      = [[Marilyn Manson]]
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| Composer    =
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| Producer    = [[Frank Falestra]]
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}}
 
"'''The Telephone'''" is the seventh track on the 1990 release ''[[The Beaver Meat Cleaver Beat]]''.
 
"'''The Telephone'''" is the seventh track on the 1990 release ''[[The Beaver Meat Cleaver Beat]]''.
  
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==Versions==
 
==Versions==
 
* "The Telephone" <small>&mdash; Appears on ''The Beaver Meat Cleaver Beat''.</small>
 
* "The Telephone" <small>&mdash; Appears on ''The Beaver Meat Cleaver Beat''.</small>
* "Telephone" (Reversed Charge Remix) <small>&mdash; Appears on ''Lunch Boxes & Choklit Cows''.</small>
+
* "Telephone" (Reversed Charge Remix) <small>&mdash; Appears on ''Dancing with the Antichrist''.</small>
  
 
==Lyrics==
 
==Lyrics==

Revision as of 08:17, 3 April 2009

"The Telephone"
The Telephone cover
Song by Marilyn Manson & the Spooky Kids
Album The Beaver Meat Cleaver Beat
Released March 1990
Recorded January–March 1990
Genre Alternative metal
Length 2:57
Label Beat Up Your Mom
Writer Marilyn Manson
Producer Frank Falestra

"The Telephone" is the seventh track on the 1990 release The Beaver Meat Cleaver Beat.

Appearances

Cassettes

Versions

  • "The Telephone" — Appears on The Beaver Meat Cleaver Beat.
  • "Telephone" (Reversed Charge Remix) — Appears on Dancing with the Antichrist.

Lyrics

    Another night of too much cough syrup. I am awakened by the incessant ringing of the telephone.
    I still have dreams caked in the corners of my eyes and my mouth is dry and tastes shitty.
    
    Again—the ringing. Slowly, I bustle out of bed. The remnants of an erection still lingering in
    my shorts like a bothersome guest.
    
    Again the ringing. Carefully I abscond to the bathroom so as to not display my manhood to
    others. There I make the perfunctory morning faces, which always seem to precede my daily
    contribution to the once-blue toilet water that I always enjoy making green.
    
    Again the ringing. I shake twice like most others, as I am annoyed by the dribble that always
    seems to remain, causing a small acreage of wetness on the front of my briefs. I slowly,
    languidly, lazily, crazily stumble into the den where my father smokes his guitars—I mean
    cigars—In his easy chair. I know all about easy chairs. And then I sing a song for my friends:
    
    "Jesus is my boyfriend
    Jesus is my boyfriend
    You can't have him
    Because Jesus is my boyfriend"
    
    Ringing, ringing. Dang it goddamn motherfucking son-of-a-bitch is ringing. I walk into the
    kitchen and I stare blankly at that shrieking plastic bastard. Since it keeps ringing I know
    it's her, and since it keeps ringing she knows it's me.
    
    We are the world, we are the children
    We are the ones who make a darker day
    So let's start killing
    There's a choice you're making
    We're sparing our own lives
    It's true we'll make a darker day
    Just you and me

Trivia

  • The instrumental at the end of the song is titled "The Nighthawks".
  • The song has been incorrectly referred to by such names as "Bitchy Beginnings of an Oversexed Twelve-Year-Old", "Jesus Is My Boyfriend", and "Talk of One, Thought of None".
  • "The Telephone" is one of Marilyn Manson's favorite poems, according to his autobiography The Long Hard Road out of Hell.