Editing Interview:Seconds Magazine Interviews Marilyn Manson & Madonna Wayne Gacy

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Such a sleazy name suggests celebrity murder, sick sex, and trash culture exploitation stewing in a microcosm of American self-hatred. The misappropriated moniker, an amalgamation of names that are really trigger words, applies to both a swingin' singer and to the ultramodern band in which he exists. Linguistically speaking, there's the titillating threat posed by Charles Manson along with the irresistible evocation of Marilyn Monroe's legendary charms which make the name so inviting.
 
Such a sleazy name suggests celebrity murder, sick sex, and trash culture exploitation stewing in a microcosm of American self-hatred. The misappropriated moniker, an amalgamation of names that are really trigger words, applies to both a swingin' singer and to the ultramodern band in which he exists. Linguistically speaking, there's the titillating threat posed by Charles Manson along with the irresistible evocation of Marilyn Monroe's legendary charms which make the name so inviting.
  
Musically speaking, any act that can dazzle the masses assembled in anticipation of [[Nine Inch Nails|NIN]] can easily tame the record-buying public. Like a Vaudevillian Venus on acid, [[Marilyn Manson]], the singer, delivers unwanted messages via the electronic stylings of keyboardist [[Madonna Wayne Gacy]]. Meanwhile guitarist [[Daisy Berkowitz]] brings it back to basics while riding roughshod over the rhythmic rumblings of bassist [[Twiggy|Twiggy Ramirez]] and beat man [[Sara Lee Lucas]]. So named as to remind the human sea cows that sharks still swim nearby, these ballsy bitches experiment with bad attitudes and big sounds growing from faintly Gothic and Industrial roots. But their real deal is regurgitative angst a la Alice Cooper and Ziggy Stardust. On Marilyn Manson's incredible debut album [[Portrait of an American Family|Portrait Of An American Family]] [[Nothing Records|(Nothing)]] they assault, in a highly polished manner, not only the ear but the fragile twinkie psyche as well.
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Musically speaking, any act that can dazzle the masses assembled in anticipation of [[Nine Inch Nails|NIN]] can easily tame the record-buying public. Like a Vaudevillian Venus on acid, [[Marilyn Manson]], the singer, delivers unwanted messages via the electronic stylings of keyboardist [[Madonna Wayne Gacy]]. Meanwhile guitarist [[Daisy Berkowitz]] brings it back to basics while riding roughshod over the rhythmic rumblings of bassist [[Twiggy|Twiggy Ramirez]] and beat man [[Sara Lee Lucas]]. So named as to remind the human sea cows that sharks still swim nearby, these ballsy bitches experiment with bad attitudes and big sounds growing from faintly Gothic and Industrial roots. But their real deal is regurgitative angst a la Alice Cooper and Ziggy Stardust. On Marilyn Manson's incredible debut album [[Portrait Of An American Family]] [[Nothing Records|(Nothing)]] they assault, in a highly polished manner, not only the ear but the fragile twinkie psyche as well.
  
 
Pathologically speaking, the boys of Marilyn Manson seem far more advanced than mere homicidal hobbyists or Hate Art enthusiasts. They seem to live the life. Let's hope that each of them has had the pleasure of sexually assaulting and murdering another human being, and that their pornographic life-and-death memories bring them masturbatory pleasure forever. As for the consumer, Marilyn Manson provide a soundtrack, and a laughtrack, for the end of the world. Check it in ASAP.
 
Pathologically speaking, the boys of Marilyn Manson seem far more advanced than mere homicidal hobbyists or Hate Art enthusiasts. They seem to live the life. Let's hope that each of them has had the pleasure of sexually assaulting and murdering another human being, and that their pornographic life-and-death memories bring them masturbatory pleasure forever. As for the consumer, Marilyn Manson provide a soundtrack, and a laughtrack, for the end of the world. Check it in ASAP.

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