Editing Interview:2009/09/17 THE LOW END OF HIGH Drum Media Australia

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<h2>THE LOW END OF HIGH – The Drum Media</h2>
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==THE LOW END OF HIGH – The Drum Media==
  
 
'''WHILE MARILYN MANSON RECENTLY THREATENED DEATH ON ANY JOURNALIST WHO DEFAMES HIM OR HIS BAND ON TWITTER, NIC TOUPEE STEPS UP TO THE PLATE AND ATTEMPTS TO GET AWAY WITH HIS LIFE INTACT.'''
 
'''WHILE MARILYN MANSON RECENTLY THREATENED DEATH ON ANY JOURNALIST WHO DEFAMES HIM OR HIS BAND ON TWITTER, NIC TOUPEE STEPS UP TO THE PLATE AND ATTEMPTS TO GET AWAY WITH HIS LIFE INTACT.'''
  
<h2>THE HIGH END OF LOW: Rumours & Redemption</h2>
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==THE HIGH END OF LOW: Rumours & Redemption==
 
2009 has been a year of mixed success for Brian Hugh Warner – aka. Marilyn Manson. His latest album The High End Of Low was released in May, and features the return of long time bandmate Twiggy Ramirez who went AWOL from the Manson line-up in 2002. A document of the last two turbulent years in Manson’s career and containing some of his most personal songwriting to date, The High End Of The Low has been subjected to close and critical scrutiny by fans and press after Eat Me, Drink Me’s historic emotional posturing. The question being asked is whether Manson’s very public derailment recently has rendered his role as the Arch Duke of rock’n’roll debauchery a parody; whether his clever dance with controversy and mainstream success has given way to a drunken shuffle out of the charts and minds of the public. Interviews around the album release so far have raised eyebrows; inebriated babblings and random behaviour fuelling the speculation that Manson is approaching the low end of the low.
 
2009 has been a year of mixed success for Brian Hugh Warner – aka. Marilyn Manson. His latest album The High End Of Low was released in May, and features the return of long time bandmate Twiggy Ramirez who went AWOL from the Manson line-up in 2002. A document of the last two turbulent years in Manson’s career and containing some of his most personal songwriting to date, The High End Of The Low has been subjected to close and critical scrutiny by fans and press after Eat Me, Drink Me’s historic emotional posturing. The question being asked is whether Manson’s very public derailment recently has rendered his role as the Arch Duke of rock’n’roll debauchery a parody; whether his clever dance with controversy and mainstream success has given way to a drunken shuffle out of the charts and minds of the public. Interviews around the album release so far have raised eyebrows; inebriated babblings and random behaviour fuelling the speculation that Manson is approaching the low end of the low.
  

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