Editing Interview:2003/06 Q Magazine

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However, the gothic motif doesn't pervade the entire house. By the front door, just by the old effigy of a child with chicken feet for hands, the bathroom is painted a rather jolly shade of blue with a framed picture of Manson's live-in girlfriend - the stunning fetish model [[Dita Von Teese]] - sitting on a shelf next to the basin. The toilet paper is a lavishly quilted white with a pink floral pattern.
 
However, the gothic motif doesn't pervade the entire house. By the front door, just by the old effigy of a child with chicken feet for hands, the bathroom is painted a rather jolly shade of blue with a framed picture of Manson's live-in girlfriend - the stunning fetish model [[Dita Von Teese]] - sitting on a shelf next to the basin. The toilet paper is a lavishly quilted white with a pink floral pattern.
  
It's 9pm. Manson has been up since lunchtime working on the video for "[[mOBSCENE]]," the first single form his fifth studio album, "[[The Golden Age of Grotesque (album)|The Golden Age Of Grotesque]]." A white cat, Lily, skedaddles out of the room, though her owner says it's a good sign that she came in at all. His other pets, two dachshunds called Eva and Greta, have already turned in for the night. Sitting in the corner on a brown couch sipping absinthe and listening to Billie Holiday, Manson moves his grey military cap to ruffle his hair.
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It's 9pm. Manson has been up since lunchtime working on the video for "[[mOBSCENE]]," the first single form his fifth studio album, "[[The Golden Age Of Grotesque (album)|The Golden Age Of Grotesque]]." A white cat, Lily, skedaddles out of the room, though her owner says it's a good sign that she came in at all. His other pets, two dachshunds called Eva and Greta, have already turned in for the night. Sitting in the corner on a brown couch sipping absinthe and listening to Billie Holiday, Manson moves his grey military cap to ruffle his hair.
  
 
Cut like a 1920's gentleman - a long swept-over fringe, the back and sides shorn - the style is in keeping with the themes he is currently exploring in his music and it's associated imagery: the nihilistic Dada art movement, Dandyism and post-WWI, pre-Hitler period of German history known as the Weimar Republic. At home today, high in a remote corner of the Hollywood Hills, he hasn't bothered with full make-up, the milky white contact lens in his left eye the only concession to cosmetics.
 
Cut like a 1920's gentleman - a long swept-over fringe, the back and sides shorn - the style is in keeping with the themes he is currently exploring in his music and it's associated imagery: the nihilistic Dada art movement, Dandyism and post-WWI, pre-Hitler period of German history known as the Weimar Republic. At home today, high in a remote corner of the Hollywood Hills, he hasn't bothered with full make-up, the milky white contact lens in his left eye the only concession to cosmetics.

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