Editing Answering Machine Messages
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{{Song | {{Song | ||
| Name = Answering Machine Messages | | Name = Answering Machine Messages | ||
− | | Cover = | + | | Cover = TheBeaverMeatCleaverBeat.png |
| Artist = [[Marilyn Manson & the Spooky Kids]] | | Artist = [[Marilyn Manson & the Spooky Kids]] | ||
| Album = [[Big Black Bus]] | | Album = [[Big Black Bus]] | ||
Line 17: | Line 17: | ||
The track was often partially used as an intro or outro track during early live shows. | The track was often partially used as an intro or outro track during early live shows. | ||
− | == Appearances == | + | ==Appearances== |
− | === Cassettes === | + | ===Cassettes=== |
* ''[[Big Black Bus]]'' | * ''[[Big Black Bus]]'' | ||
+ | ==Versions== | ||
+ | * "Answering Machine Messages" <small>— Appears on ''Big Black Bus''.</small> | ||
+ | * "Answering Machine Messages" (Intro) <small>— Appears on various recordings of [[Marilyn Manson & the Spooky Kids]]' [[Local]] tour.</small> | ||
− | == | + | ==Lyrics== |
− | + | (Tracy): | |
− | + | ...Your call. I just sit by the phone waiting for your call. I won't even go take a shower for | |
+ | fear that I might miss your call. They're afraid I'm gonna hurt somebody. They're afraid I'm | ||
+ | gonna hurt myself. Does it smell in here? Kim? | ||
+ | |||
+ | (Kim): | ||
+ | Mm-hmm. | ||
+ | |||
+ | (Tracy): | ||
+ | Over. | ||
+ | |||
+ | (Kim): | ||
+ | Did you do it? | ||
+ | |||
+ | (Tracy): | ||
+ | Yeah, I didn't click back to you? | ||
+ | |||
+ | (Kim): | ||
+ | No. | ||
+ | |||
+ | (Tracy): | ||
+ | I thought I did! | ||
+ | |||
+ | (Kim): | ||
+ | No. | ||
+ | |||
+ | (Tracy): | ||
+ | Uh oh, I think I... | ||
+ | |||
+ | (Kim): | ||
+ | Did you do it without laughing? | ||
+ | |||
+ | (Tracy): | ||
+ | Hold on... | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu. | ||
+ | |||
+ | (Tracy): | ||
+ | Sitting by the phone, | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu. | ||
+ | |||
+ | (Tracy): | ||
+ | Givin' Marilyn Manson a call, | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu. | ||
+ | |||
+ | (Tracy): | ||
+ | And then I find out, | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu. | ||
+ | |||
+ | (Tracy): | ||
+ | He don't want me at all, | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu. | ||
+ | |||
+ | (Tracy): | ||
+ | So I'm just sitting here weeping, | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu. | ||
+ | |||
+ | (Tracy): | ||
+ | I fear the rejection, | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu. | ||
+ | |||
+ | (Tracy): | ||
+ | I really hope this message, | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu. | ||
+ | |||
+ | (Tracy): | ||
+ | Will give you an erection. | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-nu-nu-do-do-do. | ||
+ | |||
+ | (Tracy): | ||
+ | Marilyn Manson, I wanna... | ||
+ | |||
+ | (Kim): | ||
+ | Du-nu-du-du. | ||
+ | |||
+ | (Tracy): | ||
+ | In case you didn't know who left all these messages, I'm not gonna tell you! No, um, it's Tracy | ||
+ | and my number, as I've left before is 749-9036. | ||
+ | |||
+ | (Paul): | ||
+ | Yeah, my name is Paul man, and my phone number is 978-9514 and I wanna get blown away dude! Cool! | ||
+ | |||
+ | (Tracy): | ||
+ | Mmm-hmm. Uh oh. | ||
+ | |||
+ | (Tracy): | ||
+ | Kim? | ||
+ | |||
+ | (Kim): | ||
+ | Yeah? | ||
+ | |||
+ | (Kim): | ||
+ | Marilyn, yes it's us again, yes, for the ninth time today. | ||
+ | |||
+ | (Tracy): | ||
+ | And we've wrote a little song for you. | ||
+ | |||
+ | (Kim): | ||
+ | I'm sure you'll really enjoy it once you're done throwing up. Okay, one two three: | ||
+ | |||
+ | (Kim and Tracy): | ||
+ | We keep calling you but you don't call back | ||
+ | You don't call soon, we're gonna turn you black | ||
+ | All these times we're pretty tired | ||
+ | So if you don't call back we'll set you on fire, word | ||
+ | Okay, we want those tapes and we want them now | ||
+ | And we're prepared to wait for the cows, mooo | ||
+ | You better call us back when you say you will | ||
+ | 'Cause if you don't well have to kill, word | ||
+ | |||
+ | (Kim): | ||
+ | Okay, anyway this is ninth time and it's probably the last time. | ||
+ | |||
+ | (Anonymous man): | ||
+ | Hi, you guys have the most bogus crapolla message I've ever heard in my life, and I'm gonna come | ||
+ | see this trash because it's so fucking ridiculous. | ||
+ | |||
+ | (Tracy): | ||
+ | Kim, you're boring!... | ||
+ | |||
+ | (Kim): | ||
+ | I know, okay, Stephanie I don't get any money. I just have a... what? What are you talking | ||
+ | about? No, Stephanie, okay, I'll give you fifty dollars. Okay. did you call yet? | ||
+ | |||
+ | (Tracy): | ||
+ | Yeah, um, Kim, we're leaving a message right now. | ||
+ | |||
+ | (Kim): | ||
+ | Oh, Stephanie, this is all being recorded on the guy's answering machine. | ||
+ | |||
+ | (Tracy): | ||
+ | Oh yeah. | ||
+ | |||
+ | (Kim): | ||
+ | Stephanie... hang up the phone. | ||
+ | |||
+ | (Tracy): | ||
+ | Oh no, we're still being recorded. | ||
+ | |||
+ | (Kim): | ||
+ | Well hang it up. | ||
+ | |||
+ | (Tracy): | ||
+ | Why? He never calls us. | ||
+ | |||
+ | (Kim): | ||
+ | I know but Tracy, um, tell him what? Oh yeah, Stephanie's giving me the money so I can go to | ||
+ | Universal and I'll have to pay her back, I just have to give her back the fifty dollars which is | ||
+ | interest anyway cause... | ||
+ | |||
+ | (Anonymous man): | ||
+ | You're a skinny fuckin' runt douchebag. | ||
+ | |||
+ | (Kim): | ||
+ | Hi, it's Kim again but you should be really thankful this is only the first time that I've | ||
+ | called today, but um, okay, it's Friday night and it's 9:34 and 49 seconds and I was wondering | ||
+ | if you had a tape for me yet? And if you do, like, you know, could I get it like tomorrow? And, | ||
+ | if you, like, if you're going to insist on sending me on a wild goose chase after it, then well, | ||
+ | I guess I could handle that but um, just like you know me and Tracy were thinking 'bout maybe | ||
+ | like we could get it tomorrow or something. Just think about it. And I want underwear too. | ||
+ | |||
+ | (Paul): | ||
+ | 'Allo, 'allo, do tell. My name is George McCartney and I should call you again. | ||
+ | |||
+ | (John): 853-7496. My name is John, uh, and Jim Camacho. 653-8218. Uh, we really, we really would | ||
+ | like to win this um, thing. Jim? | ||
+ | |||
+ | (Jim): | ||
+ | Ever since... ever since the first night when we... and that spooky lane of, I'm reminiscing, I, | ||
+ | I had that, that vibe to call, and now this gives me a real reason that I just want to, a, you | ||
+ | know, a real reason to call. Because, you know, it's, it's a hotline. I figure it's perfect. | ||
+ | |||
+ | (Anonymous woman): | ||
+ | I wanna see you God... Feel you so bad I can almost taste it. | ||
+ | |||
+ | (Elaina): Hi Marilyn, my name is Elaina. I'm one of Tracy's friends and she just gave me this | ||
+ | number... | ||
+ | |||
+ | (Bill): | ||
+ | Alright fellow, give me a call. This is Bill. Bye. | ||
+ | |||
+ | (Jason): | ||
+ | Hi this is Jason, I love you guys. Give me a call at 437-4210. Thank you. | ||
+ | |||
+ | (Anonymous man): | ||
+ | My dog barks some. | ||
+ | |||
+ | (Anonymous man): | ||
+ | Where do we get tape info, huh? 467-6425. | ||
+ | |||
+ | (Sparkles' Dad): | ||
+ | You still there, who was it? | ||
+ | |||
+ | (Sparkles): | ||
+ | Say, "this is Sparkles' Dad." | ||
+ | |||
+ | (Sparkles' Dad): | ||
+ | This is Sparkles' Dad. We don't have a problem here, we happen to like your music so how do we | ||
+ | go from here? My phone number is 341-9341. Thank you very much, bye bye. | ||
+ | |||
+ | (Christine): | ||
+ | Hey Marilyn baby, I'm a big fat Siamese cat and I'm interested in you. Why don't you call me | ||
+ | some time. My name's Christine. I forget the phone! | ||
+ | |||
+ | (Christine): | ||
+ | Hey Marilyn, it's me the big fat Siamese cat with no rake. Sorry but my bitsy horny dog, you | ||
+ | know she like stepped on the phone, I think she was trying to use it as a dildo. But you know | ||
+ | man, you guys sound like really cool, I'm like really intrigued by you. It's Christine and why | ||
+ | don't you call me some time cowboy. Maybe we can go for a ride. As you can tell, I have this | ||
+ | like, enormously like sex drive and I don't know, just call me back. 742-2572. Later man. | ||
+ | |||
+ | (Anonymous woman): | ||
+ | Hey, when you come Wednesday night, bring me directions to the junkyard please. Okay, bye. | ||
+ | |||
+ | (Julie): | ||
+ | Hey Marilyn, the coolest thing happened today at school, you're not gonna believe this right? So | ||
+ | it's like I'm sitting in the caffeteria right, and it's no big thing, I'm just being bored and | ||
+ | waiting for something to happen, right, so there's this girl, I don't know who she is, I still | ||
+ | don't know her name, well anyways this is really weird, okay, so anyway I'm sitting there and | ||
+ | she has a picture on her folder and I get up to look at it and I realize she was wearing Marilyn | ||
+ | on her shirt and I'm like freaking out and I said to her "Where'd you get that shirt? Where'd | ||
+ | you get that shirt?" and she's like... And I'm like I'll buy it off you for $20 and she's like | ||
+ | if you get me money I'll get you a shirt at the concert on Friday, I'm going to the concert on | ||
+ | Friday and I'm like, wait, you got that shirt at a concert and she's like, yeah, I don't know if | ||
+ | you know her, she's like Chinese and she's got really long hair with a streak and I don't know | ||
+ | and actually... | ||
+ | |||
+ | (Julie): | ||
+ | Anyways, like I was saying, right, I was freaking out and she's like, Julie... | ||
− | + | ==Trivia== | |
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− | == Trivia == | + | |
* American heavy metal band Twisted Sister's "Come out and Play" can be heard in the background during Bill's message. | * American heavy metal band Twisted Sister's "Come out and Play" can be heard in the background during Bill's message. | ||
* American rapcore band Rage Against the Machine's "Wake Up" can be heard in the background during Elaina's message. | * American rapcore band Rage Against the Machine's "Wake Up" can be heard in the background during Elaina's message. | ||
* Eight people left [[Marilyn Manson & the Spooky Kids|the band]] their home phone numbers. | * Eight people left [[Marilyn Manson & the Spooky Kids|the band]] their home phone numbers. | ||
− | * Towards the end of the playback, an anonymous woman leaves a message saying, "Hey, when you come Wednesday night, bring me directions to the junkyard please. Okay, bye." It is speculated that this message was left by | + | * Towards the end of the playback, an anonymous woman leaves a message saying, "Hey, when you come Wednesday night, bring me directions to the junkyard please. Okay, bye." It is speculated that this message was left by Barb Warner, [[Marilyn Manson]]'s mother. |
− | + | [[Category:Marilyn Manson Songs]] | |
− | [[Category:Marilyn Manson | + |