The Golden Age of Grotesque (album)

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This article is about the album. For other uses, see The Golden Age of Grotesque (song) and The Golden Age of Grotesque (art exhibition).
The Golden Age of Grotesque
The Golden Age of Grotesque cover
Studio album by Marilyn Manson
Released May 5, 2003
Recorded 2002–2003 at the Doppelherz Studio in Hollywood, California; The Mix Room in Burbank, California
Genre Industrial metal, Electro-industrial
Length 57:40
Label Nothing, Interscope
Producer Marilyn Manson, Tim Skold, Ben Grosse
Media

Buy The Golden Age of Grotesque as MP3 album
Order The Golden Age of Grotesque CD
Analysis and Interpretations

Art & The Golden Age (Nachtkabarett)
Degenerate Art & Fascism (Nachtkabarett)

Marilyn Manson chronology
Holy Wood (In the Shadow of the Valley of Death)
(2000)
The Golden Age of Grotesque
(2003)
Lunch Boxes & Choklit Cows
(2004)

The Golden Age of Grotesque is the fifth studio album by Marilyn Manson, released on May 5, 2003 by Interscope Records. It incorporates themes from the glamorous Swing era of the thirties, as well as from the Weimar Republic of pre-Nazi Germany.[1] It was revealed in a 2007 interview with Kerrang! that this was intended to be Marilyn Manson's departure from music, however his divorce drove him to write the album's successor, Eat Me, Drink Me. It spawned two singles ("mOBSCENE" and "This Is the New Shit").


A photograph, from a set of four, created in 2003 by Gottfried Helnwein to accompany Manson's essay for The Rock and Roll Hall of Fame and Museum.[2][3] Helnwein expressed disappointment that none were selected as the new album cover.[4]

Contents

[edit] Production

In a November 2001 post by Manson on MarilynManson.com's message board, Manson stated that the band's fifth studio album would be "very much guitar driven" and heavy, in spite of previous claims that it would be beat-oriented. He also revealed that he had been working on a song with Slipknot drummer Joey Jordison, and that he was collaborating with Tim Skold, who at this time was not a member of the band.[5]

Beginning May 2002, the Austrian-Irish artist Gottfried Helnwein collaborated with Manson on the album. [2] The cover and the artwork inside the album sleeve was created by Helnwein, and this artwork was also shown in his exhibitions. Limited edition units included a DVD titled Doppelherz (Double-heart), a surrealist short film directed by Manson.[6]

[edit] Themes

Instrumentally, this album is more beat-driven and electronic than previous albums. This is perhaps due to Tim Skold's presence — some believe this album's sound is at times reminiscent of KMFDM, with whom Skold had collaborated prior to recording with Manson.

Lyrically, this album is full of historical and pop references, much like Holy Wood (In the Shadow of the Valley of Death). References include Peter Pan, Adolf Hitler, and Oscar Wilde. As in many of his other works, he makes use of word play and double-meanings, coining words like "gloominati", "scabaret sacrilegends", "vivi-sex symbol", "cocaingels", "mOBSCENE", "vodevil" and "para-noir".

The album also draws themes from Mel Gordon's 2000 book Voluptuous Panic: The Erotic World of Weimar Berlin. Concerned that Gordon might take issue with use of the book's material, Manson called Gordon, who said he couldn't imagine a greater compliment than a popular record based on the academic book. The album artwork is also influenced by the illustrations found in Voluptuous Panic.

The most enduring theme is chiefly notable in the single "This Is the New Shit". The song was seen as poppy, with the chorus - and title - possibly referring to the fact that Tim Skold had joined the band, bringing with him a completely new and different style of music. While on the surface this could be regarded as Manson's attempt at a mainstream sound, the song in fact is railing against contemporary music ( i.e., 'the new shit') and goes so far as to spell out the what Manson viewed the formula for mainstream success to be:

"Babble, babble, bitch, bitch, rebel, rebel, party, party, sex, sex, sex, and don't forget the violence, blah, blah, blah, got your lovey-dovey sad and lonely, stick your stupid slogan in, everybody sing along."

The album can be taken on two levels: first as a soundtrack of rebellion preaching the notion of living life to its fullest. The second takes a parody to the idea that living life to the fullest has led us into a nihilistic stupidity, hence the "rebel to sell" references within "The Bright Young Things" and the transformation into a commercially acceptable "happy" icon, Mickey Mouse (Manson posed as Mickey Mouse throughout the album's publicity).

[edit] Critical reception

 Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars[7]
BBC Manchester 6/10 stars[8]
Billboard (Favorable)[9]
Rolling Stone 3/5 stars[10]
The Guardian 3/5 stars[11]
Kerrang! 4/5 stars

Barry Walters of Rolling Stone commented "Marilyn Manson really should be sucking by now...what's surprising is that there's still so much life in what Manson is rehashing. Originality has never been his forte, but this walking sound bite excels at absorbing what's out there and distilling it through his anti-charisma until it's simultaneously fresh and putrid...the album loses momentum as the songs slow and dull down, but the first half of Grotesque shines brighter than it should."[10] The album met with modest commercial success. It debuted at № 1 in the United States, selling over 120,000 copies in the first week, but was the lowest selling № 1 album of the year. As of November 2008, the album has sold 526,000 copies in the United States.[12] The album drew a mixed critical response. Although ending up in many critics' 'best of' lists for 2003, other critics consider this Manson's weakest album, arguing that it lacks originality and thoughtful lyrics compared to its predecessors.

The song "Use Your Fist and Not Your Mouth" was featured in the 2003 video game Spawn: Armageddon and the 2005 videogame Cold Fear.

[edit] Grotesk Burlesk Tour

Grotesk Burlesk was the ninth tour Marilyn Manson embarked on, under management of major record label Interscope Records. It was also the band's fifth tour to span over multiple legs. The band was on the tour from April 11, 2003 until January 3, 2004.

Much of the costumes and attire used for the tour was tailored by French fashion designer and grand couturier Jean-Paul Gaultier.[13][14]

The stage would be set up in a series of platforms. The stage was set to resemble that of vaudeville, burlesque stage and a 1930's stage. During performances of "The Fight Song" Manson sings at a podium and he would often wear a hat with ears similar to that of Mickey Mouse and he also donned black face. At the end of the performance of "The Golden Age of Grotesque", Manson played saxophone. During performances of "The Dope Show", Manson would wear elongated arms, which he would swing in a marching manner as he walked and they were designed by Rudy Coby. A robotic mannequin was used for performances of "Tourniquet". Manson used to be elevated high above the stage during performances of "Para-noir", much like he did with performances of "Cruci-Fiction in Space" on the Guns, God and Government Tour and during performances of "Para-noir", two women accompanied Manson in singing while dressed as if they were conjoined. In other songs, they danced for "mOBSCENE" and "Sweet Dreams (Are Made of This)", and performed piano for "The Golden Age of Grotesque" and floor toms for "Doll-Dagga Buzz-Buzz Ziggety-Zag". Some performances, such as The Dope Show featured paintings by Manson.

[edit] Track listing

1. "Thaeter" – 1:14
2. "This Is the New Shit" – 4:19
3. "mOBSCENE" – 3:25
4. "Doll-Dagga Buzz-Buzz Ziggety-Zag" – 4:10
5. "Use Your Fist and Not Your Mouth" – 3:34
6. "The Golden Age of Grotesque" – 4:05
7. "(s)AINT" – 3:42
8. "Ka-boom Ka-boom" – 4:02
9. "Slutgarden" – 4:06
10. "" ("Spade") – 4:34
11. "Para-noir" – 6:01
12. "The Bright Young Things" – 4:19
13. "Better of Two Evils" – 3:48
14. "Vodevil" – 4:39
15. "Obsequey (The Death of Art)" – 1:35

[edit] Bonus tracks

16. "Tainted Love" (International bonus track) – 3:20
17. "Baboon Rape Party" (Japan and UK bonus track) – 2:41
18. "Paranoiac" (Japan bonus track) – 3:54

[edit] B-sides

[edit] Cover gallery

[edit] Charting positions

[edit] Album

Year Chart Position
2003 Billboard 200 1
Top Internet Albums 1

[edit] Singles

Year Single Chart Position
2003 "mOBSCENE" Mainstream Rock Tracks 18
Modern Rock Tracks 26

[edit] Release history

Region Date Label Format Catalog
Flag-mx.png Mexico May 5, 2003 Interscope Records Compact disc
Flag-de.png Germany May 12, 2003 Interscope Records Compact disc
Flag-us.png USA May 13, 2003 Interscope Records Compact disc 37002
Flag-uk.png United Kingdom May 13, 2003 Interscope Records Compact disc 9800065
Flag-au.png Australia May 19, 2003 Interscope Records Compact disc
Flag-jp.png Japan June 17, 2003 Interscope Records Compact disc


[edit] Trivia

  • In a January 12, 2008 interview with The Heirophant, Marilyn Manson revealed that he performed keyboard duties on the record, and not the band's keyboardist Madonna Wayne Gacy who allegedly at the time had no interest to perform or simply did not show up for studio sessions. This is backed by Manson having music writing credits on almost every track in addition to his lyrical credit.
  • Original pressings of the album included a bonus DVD containing a short film directed by Manson, titled Doppelherz.
  • The Austrian-Irish artist Gottfried Helnwein collaborated with Manson on this album. The cover and the artwork inside the album sleeve was created by Helnwein, and this artwork was also shown in his exhibitions.
  • The Golden Age of Grotesque originally held the honor of biggest drop from #1 in the history of the Billboard 200 Albums chart, when it fell from #1 to #21 in its second week. Incubus broke this record in 2006 when their newly released album Light Grenades fell from #1 to #37 in its second week of charting.[15]
  • A film called "A Grotesque Evening with Marilyn Manson" was released in Spain to promote the album.

[edit] Album Credits

THE CAST: MARILYN MANSON as himself and also known or referred to as "Herr Doktor". This is the creator of all vocals and OB ART manipulator of various instruments including: a burning piano, synthetic bass, mellotron, the saxophone and the mutilation of audio for personal use. He maintained some rhythm directive including (but not limited to) loops and snare drum rolls. There were also occasions where the one string guitar was implemented for dramatic purposes. JOHN 5 AS THE LEAD GUITARIST DEMAGOGUE: HE IS RESPONSIBLE FOR RHYTHM, LEAD AND DISSONANCE IN THE FIELD OF GUITARS (INCLUDING BUT NOT LIMITED TO) THE 5, 6 AND 7 STRING INSTRUMENTS. PIANO AND VARIOUS ORCHESTRAL ELEMENTS WERE ALSO CHOREOGRAPHED BY HIM USING HIS GUITAR IN A MANNER OFTEN VIEWED AS INNAPPROPRIATE. M.W. GACY as the chief chemist and philosopher of electronics, specializing in the field of keyboards and responsible for synthesizers, discoloration of words, loops and political melody. INTRODUCING: TIM SKOLD WHO STARS AS THE BASSIST. HE IS THE SHAPER OF ELECTRONICS, LOOPS, SYNTH BASS, KEYBOARDS AND ACCORDIAN. HE ALSO IS RESPONSIBLE FOR OB ART CONSTRUCTIVISM OF GUITAR AND BEAT. GINGER FISH AS THE LIVE DRUMMER AND PRIMAL METER INTERPRETER. LEADER OF ALL RHYTHM DIVISIONS OF MARCHING AND BIG BAND KORPS.


PRODUCED BY MARILYN MANSON AND TIM SKOLD RECORDED AND ARRANGED BY MARILYN MANSON AND TIM SKOLD CO-PRODUCED AND MIXED BY BEN GROSSE ALL DRUM PROGRAMMING AND DIGITAL EDITING BY TIM SKOLD. MASTERED BY: TOM BAKER AT PRECISION MASTERING. RECORDED AT DOPPELHERZ STUDIO AND THE MIX ROOM/BURBANK. MIXED AT THE MIX ROOM/BURBANK. ADDITIONAL RECORDING AT THE MIX ROOM BURBANK AND OCEAN WAY/LA. ADDITIONAL RECORDING BY: BEN GROSSE. ASSISTANT ENGINEER: CHUCK BAILEY. OCEAN WAY ASSISTANT: JEFF BURNS. ADDITIONAL DIGITAL EDITNG: BLUMPY, BAN GROSSE. DRUM TECHNICIAN: ROSS GARFIELD/DRUM DOCTORS. MANSON: ALL TRACKS SONGS OF GOLGOTHA MUSIC (BMI) ADMINISTERED WORLDWIDE BY EMI BLACKWOOD MUSIC INC. 2003. JOHN5: ALL TRACKS GTR. HACK MUSIC/CHRYSALIS MUSIC ASCAP EXCEPT TRACKS 1 & 15. TIM SKOLD: TRACKS 1,2,4,7,8,11,13,14,15 ADMINISTERD BY 120050 PUBLISHING (BMI). GACY: TRACKS 1,11,13 DCLXCI MUSIC (BMI) ADMINISTERED WORLD WIDE BY EMI BLACKWOOD MUSIC INC 2003. ARTWORK BY: GOTTFRIED HELNWEIN INLAY PHOTO: MARILYN MANSON. INLAY BAND PHOTO: PEROU. DESIGN: BAU-DA DESIGN LAB. MANAGEMENT: TOY CIULLA. LEGAL: JEFFERY TAYLOR LIGHT. BUSINESS MANAGEMENT: JAY SENOYK. A&R MARK WILLIAMS. AGENTS RICK ROSKIN/CHRIS DALSTON @ CAA / EMMA BANKS @ HELTER SKELTER. COLLABORATERS, FELLOW ARTISTS, LOVERS AND FRIENDS WE WISH TO ACKNOWLEDGE AND THANK: GOTTFRIED HELNWEIN, DITA VON TEESE, GUEST VOCALISTS: MINDY AND MONIQUE, JOHN CIULLA, GLENDA BORDEN, BRITTANY BOWEN, CYRIL HELNWEIN AND THE HELNWEIN FAMILY, BARB & HUGH WARNER, P.R. BROWN, PEROU, JOHN BLAINE (HAIR STYLIST), JENNIFER RAID (WARDROBE STYLIST), CHARLES KOUTRIS,STEVE MACAULEY, MIMI, THE OSBOURNES, THE BIERS, EDDIE DEBARR, AND EVERYONE AT INTERSCOPE WWW.MARILYNMANSON.COM

[edit] Analysis

For further reading and in depth analysis refer to The Nachtkabarett:Art & The Golden Age & The NAchtkabarett:Degenerate Art & Fascism

[edit] See also

[edit] References

  1. Winwood, Ian (2002-03-23). "Paranoia, Jail Sentences, September 11 and Kittens?". Kerrang! (Bauer Media Group). 
  2. 2.0 2.1 "Marilyn Manson Shocking New Images Revealed". Kerrang! (Bauer Media Group) (941). 2003-02-08. 
  3. "Marilyn Manson". Gottfried Helnwein. 2003-02-08. http://www.helnwein.com/presse/international_press/artikel_1074.html. Retrieved 2011-05-02. 
  4. Helnwein, Gottfried (2003-09-01). "Album Covers That Never Were". Gottfried Helnwein. http://www.helnwein.com/news/update/artikel_1030.html. Retrieved 2011-05-02. 
  5. METEOR SHOWERS AND LAP DANCE. MarilynManson.com. Marilyn Manson. November 2001.
  6. "The Golden Age of Grotesque [Limited Edition]". Amazon.com. http://www.amazon.com/Golden-Age-Grotesque-Marilyn-Manson/dp/B000092ZVV/ref=sr_1_1?s=music&ie=UTF8&qid=1290014530&sr=1-1. Retrieved 2010-11-18. 
  7. Allmusic Review
  8. BBC Manchester Review
  9. Billboard Review
  10. 10.0 10.1 Walter, Barry (2003-05-12). "The Golden Age of Grotesque". Rolling Stone. http://www.rollingstone.com/music/reviews/album/7733/38088. Retrieved 2010-11-22. 
  11. The Guardian Review
  12. Grein, Paul. "Chart Watch Extra: What A Turkey! The 25 Worst-Selling #1 Albums". Yahoo! Music. November 21, 2008.
  13. "For The Record: Quick News On Marilyn Manson And Jean Paul Gaultier, Bone Crusher, Cam'ron, Pearl Jam, Jimi Hendrix & More". MTV News. 2003-04-28. http://www.mtv.com/news/articles/1471565/.jhtml. Retrieved 2011-03-12. 
  14. "Fashion Rocks Red Carpet". Style Magazine. http://web.archive.org/web/20071016154730/http://www.style.com/peopleparties/search/slideshow/person2592?iphoto=8. Retrieved 2011-03-12. 
  15. Chart Beat. Billboard.com. December 14, 2006.
Marilyn Manson discography
Studio albums Portrait of an American FamilyAntichrist SuperstarMechanical AnimalsHoly Wood (In the Shadow of the Valley of Death)The Golden Age of GrotesqueEat Me, Drink MeThe High End of LowBorn VillainNinth studio album
EPs Smells Like ChildrenRemix & RepentThe Nobodies: 2005 Against All Gods MixHot Topic download cardSlo-Mo-Tion Remix EP
Demos The Raw Boned PsalmsThe Beaver Meat Cleaver BeatBig Black BusGrist-o-LineLunchboxAfter School SpecialThriftLive as HellThe Family JamsRefrigeratorThe Manson Family Album
Compilations The Last Tour on EarthLunch Boxes & Choklit CowsLest We Forget – The Best OfiTunes Essentials: Marilyn MansonSecond remasters compilationLost & Found