Editing We're from America

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In the March 18, 2009 issue of ''Kerrang!'', [[Marilyn Manson]] said of the song that "I think a lot of people will hear the track and initially think it's just political, but it's not just that, it's also me describing a lot of fucked-up scenarios that I'm going through in my personal life. Someone asked me, 'Why are you so fucked up?', 'Well, I am from America.' I hate the fact that so many people have fucked the country up, and so many people fucked up my personal life and I allowed it to happen. So in a way, I feel like America as a whole feels, but in no way does that make me a tree-hugging patriotic freedom rocker."
 
In the March 18, 2009 issue of ''Kerrang!'', [[Marilyn Manson]] said of the song that "I think a lot of people will hear the track and initially think it's just political, but it's not just that, it's also me describing a lot of fucked-up scenarios that I'm going through in my personal life. Someone asked me, 'Why are you so fucked up?', 'Well, I am from America.' I hate the fact that so many people have fucked the country up, and so many people fucked up my personal life and I allowed it to happen. So in a way, I feel like America as a whole feels, but in no way does that make me a tree-hugging patriotic freedom rocker."
  
In response to this interview, [[Rudy Coby]], who earlier gave a brief explanation of "[[Devour]]", said about the song on his MySpace profile, "I love the song but it doesn't sound like any other song on the album - it was the one I said he played eleventh or twelveth almost as an afterthought. [...] It's one part of a journey - but it isn't giving away the game. I totally understand why ''Kerrang'' would want this as their special preview download though - everyone is reevaluating our country right now and this song is "America the (Un)Beautiful" and doesn't take any fucking shit."
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In response to this interview, Rudy Coby, who earlier gave a brief explanation of "[[Devour]]", said about the song on his MySpace profile, "I love the song but it doesn't sound like any other song on the album - it was the one I said he played eleventh or twelveth almost as an afterthought. [...] It's one part of a journey - but it isn't giving away the game. I totally understand why ''Kerrang'' would want this as their special preview download though - everyone is reevaluating our country right now and this song is "America the (Un)Beautiful" and doesn't take any fucking shit."
  
 
A blog by ''Metal Hammer'' describes "We're from America" as seeing the tempo of the album "finally elevated to fist-pumping pace, and features a riff that sounds like a Manson-ed up Muse riff and another Manson signature, the low rumbling toms. The lyrical themes are overt and feature the good old Manson wit we all love: "We're from America, where Jesus was born; we're from America where we speak American" and "God is an excuse." There is also the overt criticism of the pro-life neo-cons and their anti-abortion policies – this is by far the most direct song on the album, and will doubtless become an anti-anthem in line with [[The Fight Song|Fight Song]] or [[The Beautiful People|Beautiful People]]. Again, while the backing track offers little musical complexity, it hammers home the message and allows [[Marilyn Manson|Manson]]'s voice to carry the tune – building like some apocalyptic dance track... played by a metal band."<ref>[http://www.metalhammer.co.uk/uncategorized/marilyn-manson-high-end-of-low-album-track-by-track/ Marilyn Manson 'High End Of Low' Album Track-By-Track]. ''Metal Hammer''. April 7, 2009.</ref>
 
A blog by ''Metal Hammer'' describes "We're from America" as seeing the tempo of the album "finally elevated to fist-pumping pace, and features a riff that sounds like a Manson-ed up Muse riff and another Manson signature, the low rumbling toms. The lyrical themes are overt and feature the good old Manson wit we all love: "We're from America, where Jesus was born; we're from America where we speak American" and "God is an excuse." There is also the overt criticism of the pro-life neo-cons and their anti-abortion policies – this is by far the most direct song on the album, and will doubtless become an anti-anthem in line with [[The Fight Song|Fight Song]] or [[The Beautiful People|Beautiful People]]. Again, while the backing track offers little musical complexity, it hammers home the message and allows [[Marilyn Manson|Manson]]'s voice to carry the tune – building like some apocalyptic dance track... played by a metal band."<ref>[http://www.metalhammer.co.uk/uncategorized/marilyn-manson-high-end-of-low-album-track-by-track/ Marilyn Manson 'High End Of Low' Album Track-By-Track]. ''Metal Hammer''. April 7, 2009.</ref>

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