Triptych

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The Triptych comprises three records Marilyn Manson released between 1996 and 2000: 1996's Antichrist Superstar, 1998's Mechanical Animals and 2000's Holy Wood (In the Shadow of the Valley of Death). Each album represents some semi-autobiographical aspect of Manson himself, and although made up of three records, it is considered one body of work by Manson and the fanbase.

Disclaimer

While the plot of the Triptych is often dissected and discussed by fans, it should be noted that little has been explained by the band and even that must be taken with a grain of salt. For example, Manson had initially conceived Mechanical Animals as a sequel to Antichrist Superstar, following The Worm after its fall from power. However, when Holy Wood was released the story was now to be read in an inversed order and suddenly Mechanical Animals was a prequel to Antichrist Superstar rather than its sequel. This shows that the actual story was not conceived linearly and ideas that initially represented or referred to one thing, may now have a meaning entirely different from that which was originally intended.

The only official text on the matter, the Holy Wood Novel, remains unreleased and all other writings are pure fan speculation and conjecture. Some theorize that the three albums present a linear storyline with one character growing and transforming throughout. Others take the "triptych" term literally and interpret the albums as three separate stories that happen simultaneously to three separate characters, possibly in three separate worlds. More ambitious theories feel that Manson writes one continuous storyline throughout all his works and attempt to integrate ideas from other albums and EPs such as The Golden Age of Grotesque and Smells Like Children for example.

The theories are many, and can range from broad to detailed and from outlandish to logical. The only element they all have in common is that none are official. The official story has yet to be explained outright by Marilyn Manson (the man or the band). Even if it were to be explained now, Manson's personal perception of the story may have changed (just as it changed when he decided that the albums were no longer a linear duology but an inversed triptych) and an explanation entirely different from the original intent may be given.

In summary: when reading theories on the plot of the "triptych" keep in mind that it is all fan speculation and nothing more.

Plot

The Triptych's most commonly accepted timeline begins with Holy Wood (In the Shadow of the Valley of Death), Mechanical Animals, and finally Antichrist Superstar, reversed from the actual release order of each album. However, each album's interpretation is debatable, and far more so when interpreted as a whole story.

In Holy Wood the character is Adam Kadmon, a rebel from the Valley of Death, which is essentially a dwelling of society's outcasts. He leads a revolution against Holy Wood, which is populated by the rich and famous and powerful, who oppress the Valley of Death, and ruled by the corrupt President White and his daughter Coma White [1]. His revolution is a bitter sweet success in that while he does eradicate Holy Wood, this results in the disenfranchised becoming the mainstream and the status quo. This newfound power and glory proceeds to erode them of their original guiding principles, turning them into the same superficial, back-stabbing and sycophantic monsters as the previous denizens of Holy Wood. All of this leads to Adam playing Russian Roulette at the end of Count to Six and Die with his fate left unknown.

Mechanical Animals then follows the sojourn of two characters, the protagonist now with a new name but within the triptych the same character as Adam: Omēga - a Ziggy Stardust-like rock star and alien who is decadent and sexually androgynous. Another lesser character (or, perhaps, foil) on the album is Alpha who is a facet of Manson. As a rock star, Omēga becomes increasingly addicted to drugs, emotionally dissociated and nihilistic. All the while he is in constant search of a girl named Coma White, though is no longer certain if she is real or simply a drug induced hallucination. His internal thoughts show how disassociated he is from the real world while all of his rock anthems are simply hollow. At the climax of the album in Untitled, he comes to terms with his life and seems ready to make a choice but whether that choice is to change his life or end it is unclear.

Finally, Antichrist Superstar follows the abused and trampled being "The Worm" who, like Adam Kadmon, attempts to lead a massive revolution against the world. In this respect, the revolution plot line may also be seen as a retrospective of his journey up to that point. The Worm is likened to "an insignificant shadow looking for his place in an infinite world of light." In his quest to attain and exercise the will to power, he fashions himself into a self-realized and influential hierophant, proselytizing self-determination while railing against 'The Beautiful People' for which he is adored by people. However, the Worm soon sinks into an apathy and hatred for those very adoring disciples and the world when he comes to the realization that they aren't interested in being saved and quite content to remain weak and imitative "victims" (what philosopher Friedrich Nietzsche viewed as 'slaves' in his Master-Slave theory). His message then is frustrated and seems futile. This failure leaves him cold and bitter, determining to use his power and influence instead to become a repressive and nihilistic fascist tyrant, the eponymous "Antichrist Superstar", known alternatively as "The Disintegrator", as he now concludes that is what the people truly desire; a master-slave dynamic. Now the disconsolate "Man That You Fear", he allows his vitriol and disgust to tear down everything his revolution fought for, oppresses the very people he aimed to lift up and destroys everyone and everything around him declaring "When you are suffering know that I have betrayed you".

How these three plots link together, should it be linearly or separated is unknown and for the listener to decide.

Tracklisting

The linear chronology of the triptych is the reversed order of Manson's albums, Holy Wood, Mechanical Animals, and Antichrist Superstar and is known to be cyclical, meaning that the storyline comes full circle with the completion of each album in the storyline.

A: In the Shadow

D: The Androgyne

A: Of Red Earth

M: The Fallen

Alpha Songs

Omēga Songs

Cycle I: The Heirophant

Cycle II: Inauguration of the Worm

Trivia

  • There are 51 total tracks in the Triptych. Just as the Triptych unfolds in reverse, 51 reversed is 15, which is a recurring number in the band's work.
  • The three albums involved with the Triptych are considered Manson's magnum opus by most.

References

  1. An excerpt of Chapter 10 was released revealing information about President White and Coma White

External links