Editing The High End of Low (album)

From MansonWiki, the Marilyn Manson encyclopedia
Jump to: navigation, search

Warning: You are not logged in.

Your IP address will be recorded in this page's edit history.
The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.
Latest revision Your text
Line 108: Line 108:
 
''Los Angeles Times'' reviewer Mikael Wood stated that the band even provide a "surprise or two, as in "Running to the Edge of the World," a lush acoustic power ballad complete with pretty falsetto vocals." Wood also states that "'High End' makes a deeper impression as a result of Manson’s reunion with longtime guitarist-bassist Twiggy Ramirez; together with producers [[Sean Beavan]] and [[Chris Vrenna]], they sculpted a sound both harder-hitting and more finely detailed than on any previous Marilyn Manson record."<ref name = latimes>{{cite web | url = http://latimesblogs.latimes.com/music_blog/2009/05/album-review-marilyn-mansons-the-high-end-of-low.html | title = Album review: Marilyn Manson's 'The High End of Low' | date = 2009-05-26 | accessdate = 2009-06-29 | last = Wood | first = M | publisher = Los Angeles Times}}</ref>
 
''Los Angeles Times'' reviewer Mikael Wood stated that the band even provide a "surprise or two, as in "Running to the Edge of the World," a lush acoustic power ballad complete with pretty falsetto vocals." Wood also states that "'High End' makes a deeper impression as a result of Manson’s reunion with longtime guitarist-bassist Twiggy Ramirez; together with producers [[Sean Beavan]] and [[Chris Vrenna]], they sculpted a sound both harder-hitting and more finely detailed than on any previous Marilyn Manson record."<ref name = latimes>{{cite web | url = http://latimesblogs.latimes.com/music_blog/2009/05/album-review-marilyn-mansons-the-high-end-of-low.html | title = Album review: Marilyn Manson's 'The High End of Low' | date = 2009-05-26 | accessdate = 2009-06-29 | last = Wood | first = M | publisher = Los Angeles Times}}</ref>
  
''Rolling Stone'' reviewer Jody Rosen gave the album a mediocre review, citing the diminished shock value of the album compared to years past. Rosen stated the best parts of the album are in the ballads like the blues-tinged "[[Four Rusted Horses]]" for a more endearing depiction of Manson as a melancholy human rather than Antichrist Superstar.<ref name = rollingstone>{{cite web | url = http://www.rollingstone.com/reviews/album/27747743/review/28123939/the_high_end_of_low | title = Marilyn Manson: The High End of Low | last = Rosen | first = J | publisher = Rolling Stone | date = 2009-05-26 | accessdate = 2009-06-29 }}</ref>
+
''Rolling Stone'' reviewer Jody Rosen gave the album a mediocre review, citing the diminished shock value of the album compared to years past. Rosen stated the best parts of the album are in the ballads like the blues-tinged "Four Rusted Horses" for a more endearing depiction of Manson as a melancholy human rather than Antichrist Superstar.<ref name = rollingstone>{{cite web | url = http://www.rollingstone.com/reviews/album/27747743/review/28123939/the_high_end_of_low | title = Marilyn Manson: The High End of Low | last = Rosen | first = J | publisher = Rolling Stone | date = 2009-05-26 | accessdate = 2009-06-29 }}</ref>
  
 
Phil Freeman of ''Allmusic'' criticized the lack of variety in the album with "two or three musical ideas are repeated throughout the disc". He also criticized the lyrics, stating that Manson "[feels] like he's trying to convince himself as much as the audience" and that he is "pretty much advertising that [he's] out of ideas".<ref name = allmusic>{{cite web | url = http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:wcfoxzy0ldde | title = The High End of Low | accessdate = 2009-06-29 | last = Freeman | first = P | publisher = Allmusic}}</ref> A review in ''The Guardian'' complained of the lack of novelty in the album, which repeated "the usual entry-level shock-rock histrionics".<ref name = guardian>{{cite web | url = http://www.guardian.co.uk/music/2009/may/22/marilyn-manson-high-end-of-low | title = Marilyn Manson: The High End of Low | last = Thomson | first = J  | publisher= The Guardian | accessdate = 2009-06-29 | date = 2009-05-22 }}</ref>
 
Phil Freeman of ''Allmusic'' criticized the lack of variety in the album with "two or three musical ideas are repeated throughout the disc". He also criticized the lyrics, stating that Manson "[feels] like he's trying to convince himself as much as the audience" and that he is "pretty much advertising that [he's] out of ideas".<ref name = allmusic>{{cite web | url = http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:wcfoxzy0ldde | title = The High End of Low | accessdate = 2009-06-29 | last = Freeman | first = P | publisher = Allmusic}}</ref> A review in ''The Guardian'' complained of the lack of novelty in the album, which repeated "the usual entry-level shock-rock histrionics".<ref name = guardian>{{cite web | url = http://www.guardian.co.uk/music/2009/may/22/marilyn-manson-high-end-of-low | title = Marilyn Manson: The High End of Low | last = Thomson | first = J  | publisher= The Guardian | accessdate = 2009-06-29 | date = 2009-05-22 }}</ref>

Please note that all contributions to The Marilyn Manson Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see The Marilyn Manson Wiki:Copyrights for details). Do not submit copyrighted work without permission!

Cancel | Editing help (opens in new window)