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{{Disambiguation|the album|the song|The Golden Age of Grotesque (song)|the art exhibition|The Golden Age of Grotesque (art exhibition)}}
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:''This article is about the album. For other uses, see [[The Golden Age of Grotesque (song)]] and [[The Golden Age of Grotesque (art exhibition)]].''
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{{Album  
 
{{Album  
 
| Name        = The Golden Age of Grotesque  
 
| Name        = The Golden Age of Grotesque  
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| Artist      = [[Marilyn Manson (band)|Marilyn Manson]]  
 
| Artist      = [[Marilyn Manson (band)|Marilyn Manson]]  
 
| Cover      = The-Golden-Age-of-Grotesque.jpg
 
| Cover      = The-Golden-Age-of-Grotesque.jpg
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| Released    = May 5, 2003 (<yearsold y="2003" m="05" d="05"/> years ago)
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| Released    = May 5, 2003
 
| Recorded    = 2002–2003 at the Doppelherz Studio in Hollywood, California; The Mix Room in Burbank, California
 
| Recorded    = 2002–2003 at the Doppelherz Studio in Hollywood, California; The Mix Room in Burbank, California
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| Genre      = Industrial metal, Electro-industrial
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| Genre      = Industrial metal
 
| Length      = 57:40
 
| Length      = 57:40
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| Label      = [[Nothing]], [[Interscope Records|Interscope]]
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| Label      = [[Nothing Records|Nothing]], [[Interscope Records|Interscope]]
 
| Producer    = [[Marilyn Manson]], [[Tim Skold]], Ben Grosse
 
| Producer    = [[Marilyn Manson]], [[Tim Skold]], Ben Grosse
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| Discogs    = http://www.discogs.com/master/18102
 
 
| Reviews    =  
 
| Reviews    =  
 
| Analysis  =  
 
| Analysis  =  
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}}
 
}}
  
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'''''The Golden Age of Grotesque''''' is the fifth studio album by [[Marilyn Manson (band)|Marilyn Manson]], released on May 5, 2003 by [[Interscope Records]]. It incorporates themes from the glamorous Swing era of the thirties, as well as from the Weimar Republic of pre-Nazi Germany.<ref>{{cite journal |last1=Winwood |first1=Ian |date=2002-03-23 |title=Paranoia, Jail Sentences, September 11 and Kittens? |journal=Kerrang! |volume= |issue= |pages= |publisher=Bauer Media Group |doi= |url= |accessdate=2011-04-20}}</ref> It spawned two singles ("[[mOBSCENE]]" and "[[This Is the New Shit]]"). It was revealed in a 2007 interview with ''Kerrang!'' that this was intended to be Marilyn Manson's departure from music, however his divorce drove him to write the album's successor, ''[[Eat Me, Drink Me]]''.
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'''''The Golden Age of Grotesque''''' is the fifth studio album by [[Marilyn Manson (band)|Marilyn Manson]], released on May 5, 2003 by [[Interscope Records]]. It incorporates themes from the glamorous Swing era of the thirties, as well as from the Weimar Republic of pre-Nazi Germany.<ref>{{cite journal |last1=Winwood |first1=Ian |date=2002-03-23 |title=Paranoia, Jail Sentences, September 11 and Kittens? |journal=Kerrang! |volume= |issue= |pages= |publisher=Bauer Media Group |doi= |url= |accessdate=2011-04-20}}</ref> It was revealed in a 2007 interview with ''Kerrang!'' that this was intended to be Marilyn Manson's departure from music, however his divorce drove him to write the album's successor, ''[[Eat Me, Drink Me]]''. It spawned two singles ("[[mOBSCENE]]" and "[[This Is the New Shit]]").
  
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== Production ==
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==Production==
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[[File:Doyouloveyourgun.jpg|thumb|left|200px|A photograph, from a set of four, created in 2003 by [[Gottfried Helnwein]] to accompany Manson's [[Putting Holes in Happiness (essay)|essay]] for The Rock and Roll Hall of Fame and Museum.<ref name="Kerrang Shocking New Images"/><ref>{{cite web|url=http://www.helnwein.com/presse/international_press/artikel_1074.html |title=Marilyn Manson |publisher=[[Gottfried Helnwein]] |date=2003-02-08 |accessdate=2011-05-02}}</ref> The artist has expressed disappointment that none was selected as the new album cover.<ref name="Album covers never were">{{cite web|last=Helnwein |first=Gottfried |url=http://www.helnwein.com/news/update/artikel_1030.html |title=Album Covers That Never Were |publisher=Gottfried Helnwein |date=2003-09-01 |accessdate=2011-05-02}}</ref>]]
 
In a November 2001 post by Manson on [[MarilynManson.com]]'s message board, Manson stated that the band's fifth studio album would be "very much guitar driven" and heavy, in spite of previous claims that it would be beat-oriented. He also revealed that he had been working on a song with [[Slipknot]] drummer [[Joey Jordison]], and that he was collaborating with Tim Skold, who at this time was not a member of the band.<ref>''METEOR SHOWERS AND LAP DANCE''. [[MarilynManson.com]]. [[Marilyn Manson]]. November 2001.</ref>
 
In a November 2001 post by Manson on [[MarilynManson.com]]'s message board, Manson stated that the band's fifth studio album would be "very much guitar driven" and heavy, in spite of previous claims that it would be beat-oriented. He also revealed that he had been working on a song with [[Slipknot]] drummer [[Joey Jordison]], and that he was collaborating with Tim Skold, who at this time was not a member of the band.<ref>''METEOR SHOWERS AND LAP DANCE''. [[MarilynManson.com]]. [[Marilyn Manson]]. November 2001.</ref>
  
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<ref name="Kerrang Shocking New Images">{{cite journal |date=2003-02-08 |title=Marilyn Manson Shocking New Images Revealed |journal=Kerrang! |volume= |issue=941 |pages= |publisher=Bauer Media Group |accessdate=2011-05-02}}</ref> The cover and the artwork inside the album sleeve was created by Helnwein, and this artwork was also shown in his exhibitions. Limited edition units included a DVD titled ''[[Doppelherz]]'' (Double-heart), a surrealist short film directed by Manson.<ref name="Amazon">{{cite web|last= |first= |url=http://www.amazon.com/Golden-Age-Grotesque-Marilyn-Manson/dp/B000092ZVV/ref=sr_1_1?s=music&ie=UTF8&qid=1290014530&sr=1-1 |title=The Golden Age of Grotesque <nowiki>[Limited Edition]</nowiki> |publisher=''Amazon.com'' |date=|accessdate=2010-11-18}}</ref>
 
<ref name="Kerrang Shocking New Images">{{cite journal |date=2003-02-08 |title=Marilyn Manson Shocking New Images Revealed |journal=Kerrang! |volume= |issue=941 |pages= |publisher=Bauer Media Group |accessdate=2011-05-02}}</ref> The cover and the artwork inside the album sleeve was created by Helnwein, and this artwork was also shown in his exhibitions. Limited edition units included a DVD titled ''[[Doppelherz]]'' (Double-heart), a surrealist short film directed by Manson.<ref name="Amazon">{{cite web|last= |first= |url=http://www.amazon.com/Golden-Age-Grotesque-Marilyn-Manson/dp/B000092ZVV/ref=sr_1_1?s=music&ie=UTF8&qid=1290014530&sr=1-1 |title=The Golden Age of Grotesque <nowiki>[Limited Edition]</nowiki> |publisher=''Amazon.com'' |date=|accessdate=2010-11-18}}</ref>
  
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== Themes ==
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==Themes==
 
Instrumentally, this album is more beat-driven and electronic than previous albums. This is perhaps due to [[Tim Skold]]'s presence — some believe this album's sound is at times reminiscent of [[KMFDM]], with whom Skold had collaborated prior to recording with Manson.
 
Instrumentally, this album is more beat-driven and electronic than previous albums. This is perhaps due to [[Tim Skold]]'s presence — some believe this album's sound is at times reminiscent of [[KMFDM]], with whom Skold had collaborated prior to recording with Manson.
  
 
Lyrically, this album is full of historical and pop references, much like ''[[Holy Wood (In the Shadow of the Valley of Death)]]''. References include Peter Pan, Adolf Hitler, and Oscar Wilde. As in many of his other works, he makes use of word play and double-meanings, coining words like "gloominati", "scabaret sacrilegends", "vivi-sex symbol", "cocaingels", "mOBSCENE", "vodevil" and "para-noir".
 
Lyrically, this album is full of historical and pop references, much like ''[[Holy Wood (In the Shadow of the Valley of Death)]]''. References include Peter Pan, Adolf Hitler, and Oscar Wilde. As in many of his other works, he makes use of word play and double-meanings, coining words like "gloominati", "scabaret sacrilegends", "vivi-sex symbol", "cocaingels", "mOBSCENE", "vodevil" and "para-noir".
  
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[[File:Doyouloveyourgun.jpg|thumbnail|left|250px|A photograph, from a set of four, created in 2003 by [[Gottfried Helnwein]] to accompany Manson's [[JournalEntry:2003/03/03 PUTTING HOLES INTO HAPPINESS|essay]] for The Rock and Roll Hall of Fame and Museum.<ref name="Kerrang Shocking New Images"/><ref>{{cite web|url=http://www.helnwein.com/presse/international_press/artikel_1074.html |title=Marilyn Manson |publisher=[[Gottfried Helnwein]] |date=2003-02-08 |accessdate=2011-05-02}}</ref> Helnwein expressed disappointment that none were selected as the new album cover.<ref name="Album covers never were">{{cite web|last=Helnwein |first=Gottfried |url=http://www.helnwein.com/news/update/artikel_1030.html |title=Album Covers That Never Were |publisher=Gottfried Helnwein |date=2003-09-01 |accessdate=2011-05-02}}</ref>]]
 
 
The album also draws themes from Mel Gordon's 2000 book ''Voluptuous Panic: The Erotic World of Weimar Berlin''. Concerned that Gordon might take issue with use of the book's material, Manson called Gordon, who said he couldn't imagine a greater compliment than a popular record based on the academic book. The album artwork is also influenced by the illustrations found in ''Voluptuous Panic''.
 
The album also draws themes from Mel Gordon's 2000 book ''Voluptuous Panic: The Erotic World of Weimar Berlin''. Concerned that Gordon might take issue with use of the book's material, Manson called Gordon, who said he couldn't imagine a greater compliment than a popular record based on the academic book. The album artwork is also influenced by the illustrations found in ''Voluptuous Panic''.
  
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The album can be taken on two levels: first as a soundtrack of rebellion preaching the notion of living life to its fullest. The second takes a parody to the idea that living life to the fullest has led us into a nihilistic stupidity, hence the "rebel to sell" references within "The Bright Young Things" and the transformation into a commercially acceptable "happy" icon, Mickey Mouse (Manson posed as Mickey Mouse throughout the album's publicity).
 
The album can be taken on two levels: first as a soundtrack of rebellion preaching the notion of living life to its fullest. The second takes a parody to the idea that living life to the fullest has led us into a nihilistic stupidity, hence the "rebel to sell" references within "The Bright Young Things" and the transformation into a commercially acceptable "happy" icon, Mickey Mouse (Manson posed as Mickey Mouse throughout the album's publicity).
  
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== Critical reception ==
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==Critical reception==
 
{{Album ratings
 
{{Album ratings
 
|rev1 = ''Allmusic''
 
|rev1 = ''Allmusic''
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|rev1Score = {{Rating|4}}<ref>[http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:7r0qoauawijn~T1 Allmusic Review]</ref>
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|rev1Score = {{Rating 4}}<ref>[http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:7r0qoauawijn~T1 Allmusic Review]</ref>
 
|rev2 = ''BBC Manchester''
 
|rev2 = ''BBC Manchester''
 
|rev2Score = {{rating|6|10}}<ref>[http://www.bbc.co.uk/manchester/music/2003/05/19/golden_age.shtml BBC Manchester Review]</ref>
 
|rev2Score = {{rating|6|10}}<ref>[http://www.bbc.co.uk/manchester/music/2003/05/19/golden_age.shtml BBC Manchester Review]</ref>
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|rev3Score = (Favorable)<ref>[http://www.billboard.com/bbcom/discography/index.jsp?aid=580008&pid=36874 Billboard Review]</ref>
 
|rev3Score = (Favorable)<ref>[http://www.billboard.com/bbcom/discography/index.jsp?aid=580008&pid=36874 Billboard Review]</ref>
 
|rev4 = ''Rolling Stone''
 
|rev4 = ''Rolling Stone''
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|rev4Score = {{Rating|3}}<ref name="rollingstone">{{cite web|last=Walter|first=Barry|url=http://www.rollingstone.com/music/reviews/album/7733/38088|title=The Golden Age of Grotesque|publisher=''Rolling Stone''|date=2003-05-12|accessdate=2010-11-22}}</ref>
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|rev4Score = {{Rating 3}}<ref name="rollingstone">{{cite web|last=Walter|first=Barry|url=http://www.rollingstone.com/music/reviews/album/7733/38088|title=The Golden Age of Grotesque|publisher=''Rolling Stone''|date=2003-05-12|accessdate=2010-11-22}}</ref>
 
|rev5 = ''The Guardian''
 
|rev5 = ''The Guardian''
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|rev5Score = {{Rating|3}}<ref>[http://www.guardian.co.uk/music/2003/may/09/popandrock.artsfeatures The Guardian Review]</ref>
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|rev5Score = {{Rating 3}}<ref>[http://www.guardian.co.uk/music/2003/may/09/popandrock.artsfeatures The Guardian Review]</ref>
 
|rev6 = ''Kerrang!''
 
|rev6 = ''Kerrang!''
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|rev6Score = {{Rating|4}}
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|rev6Score = {{Rating 4}}
 
}}
 
}}
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Barry Walters of ''Rolling Stone'' commented "Marilyn Manson really should be sucking by now...what's surprising is that there's still so much life in what Manson is rehashing. Originality has never been his forte, but this walking sound bite excels at absorbing what's out there and distilling it through his anti-charisma until it's simultaneously fresh and putrid...the album loses momentum as the songs slow and dull down, but the first half of Grotesque shines brighter than it should."<ref name="rollingstone"/> The album met with modest commercial success. It debuted at № 1 in the United States, selling over 120,000 copies in the first week, but was the lowest selling № 1 album of the year. As of November 2008, the album has sold 526,000 copies in the United States.<ref>Grein, Paul. [http://new.music.yahoo.com/blogs/chart_watch/20401/chart-watch-extra-what-a-turkey-the-25-worst-selling-1-albums/ "Chart Watch Extra: What A Turkey! The 25 Worst-Selling #1 Albums"]. ''Yahoo! Music''. November 21, 2008.</ref> The album drew a mixed critical response. Although ending up in many critics' 'best of' lists for 2003, other critics consider this Manson's weakest album, arguing that it lacks originality and thoughtful lyrics compared to its predecessors.
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Barry Walters of ''Rolling Stone'' commented "Marilyn Manson really should be sucking by now...what's surprising is that there's still so much life in what Manson is rehashing. Originality has never been his forte, but this walking sound bite excels at absorbing what's out there and distilling it through his anti-charisma until it's simultaneously fresh and putrid...the album loses momentum as the songs slow and dull down, but the first half of Grotesque shines brighter than it should."<ref name="rollingstone"/> The album met with modest commercial success. It debuted at #1 in the United States, selling over 120,000 copies in the first week, but was the lowest selling #1 album of the year. As of November 2008, the album has sold 526,000 copies in the United States.<ref>Grein, Paul. [http://new.music.yahoo.com/blogs/chart_watch/20401/chart-watch-extra-what-a-turkey-the-25-worst-selling-1-albums/ "Chart Watch Extra: What A Turkey! The 25 Worst-Selling #1 Albums"]. ''Yahoo! Music''. November 21, 2008.</ref> The album drew a mixed critical response. Although ending up in many critics' 'best of' lists for 2003, other critics consider this Manson's weakest album, arguing that it lacks originality and thoughtful lyrics compared to its predecessors.
  
 
The song "Use Your Fist and Not Your Mouth" was featured in the 2003 video game ''Spawn: Armageddon'' and the 2005 videogame ''Cold Fear''.
 
The song "Use Your Fist and Not Your Mouth" was featured in the 2003 video game ''Spawn: Armageddon'' and the 2005 videogame ''Cold Fear''.
  
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== Grotesk Burlesk Tour ==
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==Grotesk Burlesk tour==
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Grotesk Burlesk was the ninth tour Marilyn Manson embarked on, under management of major record label [[Interscope Records]]. It was also the band's fifth tour to span over multiple legs. The band was on the tour from April 11, 2003 until January 3, 2004.
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'''Grotesk Burlesk''' was the ninth tour Marilyn Manson embarked on, under management of major record label [[Interscope Records]]. It was also the band's fifth tour to span over multiple legs. The band was on the tour from April 11, 2003 until January 3, 2004.
  
 
Much of the costumes and attire used for the tour was tailored by French fashion designer and grand couturier Jean-Paul Gaultier.<ref>{{cite web |url=http://www.mtv.com/news/articles/1471565/.jhtml |title=For The Record: Quick News On Marilyn Manson And Jean Paul Gaultier, Bone Crusher, Cam'ron, Pearl Jam, Jimi Hendrix & More |publisher=MTV News |date=2003-04-28 |accessdate=2011-03-12}}</ref><ref>{{cite web |url=http://web.archive.org/web/20071016154730/http://www.style.com/peopleparties/search/slideshow/person2592?iphoto=8 |title=Fashion Rocks Red Carpet |publisher=''Style Magazine'' |accessdate=2011-03-12}}</ref>
 
Much of the costumes and attire used for the tour was tailored by French fashion designer and grand couturier Jean-Paul Gaultier.<ref>{{cite web |url=http://www.mtv.com/news/articles/1471565/.jhtml |title=For The Record: Quick News On Marilyn Manson And Jean Paul Gaultier, Bone Crusher, Cam'ron, Pearl Jam, Jimi Hendrix & More |publisher=MTV News |date=2003-04-28 |accessdate=2011-03-12}}</ref><ref>{{cite web |url=http://web.archive.org/web/20071016154730/http://www.style.com/peopleparties/search/slideshow/person2592?iphoto=8 |title=Fashion Rocks Red Carpet |publisher=''Style Magazine'' |accessdate=2011-03-12}}</ref>
  
 
The stage would be set up in a series of platforms. The stage was set to resemble that of vaudeville, burlesque stage and a 1930's stage. During performances of "[[The Fight Song]]" Manson sings at a podium and he would often wear a hat with ears similar to that of Mickey Mouse and he also donned black face. At the end of the performance of "The Golden Age of Grotesque", Manson played saxophone. During performances of "[[The Dope Show]]", Manson would wear elongated arms, which he would swing in a marching manner as he walked and they were designed by [[Rudy Coby]]. A robotic mannequin was used for performances of "[[Tourniquet]]". Manson used to be elevated high above the stage during performances of "Para-noir", much like he did with performances of "Cruci-Fiction in Space" on the [[Guns, God and Government Tour]] and during performances of "Para-noir", two women accompanied Manson in singing while dressed as if they were conjoined. In other songs, they danced for "mOBSCENE" and "Sweet Dreams (Are Made of This)", and performed piano for "The Golden Age of Grotesque" and floor toms for "Doll-Dagga Buzz-Buzz Ziggety-Zag".
 
The stage would be set up in a series of platforms. The stage was set to resemble that of vaudeville, burlesque stage and a 1930's stage. During performances of "[[The Fight Song]]" Manson sings at a podium and he would often wear a hat with ears similar to that of Mickey Mouse and he also donned black face. At the end of the performance of "The Golden Age of Grotesque", Manson played saxophone. During performances of "[[The Dope Show]]", Manson would wear elongated arms, which he would swing in a marching manner as he walked and they were designed by [[Rudy Coby]]. A robotic mannequin was used for performances of "[[Tourniquet]]". Manson used to be elevated high above the stage during performances of "Para-noir", much like he did with performances of "Cruci-Fiction in Space" on the [[Guns, God and Government Tour]] and during performances of "Para-noir", two women accompanied Manson in singing while dressed as if they were conjoined. In other songs, they danced for "mOBSCENE" and "Sweet Dreams (Are Made of This)", and performed piano for "The Golden Age of Grotesque" and floor toms for "Doll-Dagga Buzz-Buzz Ziggety-Zag".
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Some performances, such as [[The Dope Show]] featured paintings by [[Marilyn Manson|Manson]].
 
  
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== Track listing ==
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==Track listing==
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# "[[Thaeter]]" – 1:14
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:1. "[[Thaeter]]" – 1:14
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# "[[This Is the New Shit]]" – 4:19
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:2. "[[This Is the New Shit]]" – 4:19
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# "[[mOBSCENE]]" – 3:25
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:3. "[[mOBSCENE]]" – 3:25
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# "[[Doll-Dagga Buzz-Buzz Ziggety-Zag]]" – 4:10
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:4. "[[Doll-Dagga Buzz-Buzz Ziggety-Zag]]" – 4:10
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# "[[Use Your Fist and Not Your Mouth]]" – 3:34
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:5. "[[Use Your Fist and Not Your Mouth]]" – 3:34
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# "[[The Golden Age of Grotesque (song)|The Golden Age of Grotesque]]" – 4:05
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:6. "[[The Golden Age of Grotesque (song)|The Golden Age of Grotesque]]" – 4:05
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# "[[(s)AINT]]" – 3:42
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:7. "[[(s)AINT]]" – 3:42
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# "[[Ka-boom Ka-boom]]" – 4:02
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:8. "[[Ka-boom Ka-boom]]" – 4:02
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# "[[Slutgarden]]" – 4:06
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:9. "[[Slutgarden]]" – 4:06
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# "[[Spade|♠]]" ("''Spade''") – 4:34
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:10. "[[Spade|&spades;]]" ("''Spade''") – 4:34
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# "[[Para-noir]]" – 6:01
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:11. "[[Para-noir]]" – 6:01
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# "[[The Bright Young Things]]" – 4:19
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:12. "[[The Bright Young Things]]" – 4:19
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# "[[Better of Two Evils]]" – 3:48
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:13. "[[Better of Two Evils]]" – 3:48
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# "[[Vodevil]]" – 4:39
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:14. "[[Vodevil]]" – 4:39
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# "[[Obsequey (The Death of Art)]]" – 1:35
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:15. "[[Obsequey (The Death of Art)]]" – 1:35
  
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=== Bonus tracks ===
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===Bonus tracks===
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<ol start="16">
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:16. "[[Tainted Love]]" <small>(International bonus track)</small> – 3:20
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<li>"[[Tainted Love]]" <small>(International bonus track)</small> – 3:20</li>
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:17. "[[Baboon Rape Party]]" <small>(Japan and UK bonus track)</small> – 2:41
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<li>"[[Baboon Rape Party]]" <small>(Japan and UK bonus track)</small> – 2:41</li>
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:18. "[[Paranoiac]]" <small>(Japan bonus track)</small> – 3:54
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<li>"[[Paranoiac]]" <small>(Japan bonus track)</small> – 3:54</li>
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</ol>
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=== B-sides ===
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===B-sides===
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* "[[Mind of a Lunatic]]" <small>(Geto Boys cover)</small> – 9:49
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:* "[[Mind of a Lunatic]]" <small>(Geto Boys cover)</small> – 9:49
  
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== Cover gallery ==
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==Cover gallery==
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{{Gallery
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<center>
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| The-Golden-Age-of-Grotesque.jpg = Front slipcase
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<gallery widths="170px" heights="130px" perrow="5">
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| TheGoldemAgeOfGrotesque(Back).jpg = Back slipcase
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Image:The-Golden-Age-of-Grotesque.jpg|<center>Front Cover
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| Img410.jpg = Front cover
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Image:TheGoldemAgeOfGrotesque(Back).jpg|<center>Back Cover
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| TheGoldemAgeOfGrotesque(Inside).jpg = Inside
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Image:TheGoldemAgeOfGrotesque(CD).jpg|<center>Disc
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| TheGoldemAgeOfGrotesque(Inlay).jpg = Traycard
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Image:TheGoldemAgeOfGrotesque(Inside).jpg|<center>Inside
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| Img411.jpg = Back cover
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Image:TheGoldemAgeOfGrotesque(Inlay).jpg|<center>Traycard
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| Img402.jpg = Page 1 & 2
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Image:GoldenAgeOfGrotesqueDeluxe.jpg|<center>Front cover of special edition with stickers denoting bonuses
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| Img403.jpg = Page 3 & 4
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</gallery>
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| Img404.jpg = Page 5 & 6
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</center>
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| Img405.jpg = Page 7 & 8<br>Centerfold
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| Img406.jpg = Page 9 & 10
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| Img407.jpg = Page 11 & 12
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| Img408.jpg = Page 13 & 14
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| GoldenAgeOfGrotesqueDeluxe.jpg = Front slipcase of special edition with stickers denoting bonuses
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| TheGoldemAgeOfGrotesque(CD).jpg = Disc}}
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== Charting positions ==
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==Charting positions==
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=== Album ===
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===Album===
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{| class="maintable"
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{|border=1 cellspacing=0 cellpadding=1 width="550"
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|-
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!Year
 
!Year
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! class="stretch" | Chart
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!Chart
 
!Position
 
!Position
 
|-
 
|-
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|}
 
|}
  
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=== Singles ===
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===Singles===
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{| class="maintable"
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{|border=1 cellspacing=0 cellpadding=2 width="550"
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|-
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!Year
 
!Year
 
!Single
 
!Single
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! class="stretch" | Chart
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!Chart
 
!Position
 
!Position
 
|-
 
|-
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|}
 
|}
  
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== Release history ==
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==Release history==
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{{ReleaseHistory
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{|border=1 cellspacing=0 cellpadding=2 width="550"
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| {{ReleaseHistory/Item | country = mx | date = May 5, 2003 | label = Interscope Records | format = Compact disc}}
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!Region
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| {{ReleaseHistory/Item | country = de | date = May 12, 2003 | label = Interscope Records | format = Compact disc}}
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!Date
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| {{ReleaseHistory/Item | country = us | date = May 13, 2003 | label = Interscope Records | format = Compact disc | catalog = 37002}}
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!Label
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| {{ReleaseHistory/Item | country = uk | date = May 13, 2003 | label = Interscope Records | format = Compact disc | catalog = 9800065}}
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!Format
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| {{ReleaseHistory/Item | country = au | date = May 19, 2003 | label = Interscope Records | format = Compact disc}}
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!Catalog
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| {{ReleaseHistory/Item | country = jp | date = June 17, 2003 | label = Interscope Records | format = Compact disc}}
+
|-
−
}}
+
|Mexico
 +
|May 5, 2003
 +
|Interscope Records
 +
|Compact disc
 +
|—
 +
|-
 +
|Germany
 +
|May 12, 2003
 +
|Interscope Records
 +
|Compact disc
 +
|—
 +
|-
 +
|North America
 +
|May 13, 2003
 +
|Interscope Records
 +
|Compact disc
 +
|37002
 +
|-
 +
|United Kingdom
 +
|May 13, 2003
 +
|Interscope Records
 +
|Compact disc
 +
|9800065
 +
|-
 +
|Australia
 +
|May 19, 2003
 +
|Interscope Records
 +
|Compact disc
 +
|—
 +
|-
 +
|Japan
 +
|June 17, 2003
 +
|Interscope Records
 +
|Compact disc
 +
|—
 +
|}
  
−
== Trivia ==
+
==Trivia==
 
* In a [[Interview:2008/01/12 Everyone Will Suffer Now|January 12, 2008 interview]] with [[The Heirophant]], [[Marilyn Manson]] revealed that he performed keyboard duties on the record, and not the band's keyboardist [[Madonna Wayne Gacy]] who allegedly at the time had no interest to perform or simply did not show up for studio sessions. This is backed by Manson having music writing credits on almost every track in addition to his lyrical credit.
 
* In a [[Interview:2008/01/12 Everyone Will Suffer Now|January 12, 2008 interview]] with [[The Heirophant]], [[Marilyn Manson]] revealed that he performed keyboard duties on the record, and not the band's keyboardist [[Madonna Wayne Gacy]] who allegedly at the time had no interest to perform or simply did not show up for studio sessions. This is backed by Manson having music writing credits on almost every track in addition to his lyrical credit.
−
* Original pressings of the album included a bonus DVD containing a short film directed by Manson, titled ''[[Doppelherz]]''.
+
* Original pressings of the album included a bonus DVD containing a short film directed by Manson, titled ''[[Doppelherz (film)|Doppelherz]]''.
 
* The Austrian-Irish artist [[Gottfried Helnwein]] collaborated with Manson on this album. The cover and the artwork inside the album sleeve was created by Helnwein, and this artwork was also shown in his exhibitions.
 
* The Austrian-Irish artist [[Gottfried Helnwein]] collaborated with Manson on this album. The cover and the artwork inside the album sleeve was created by Helnwein, and this artwork was also shown in his exhibitions.
 
* ''The Golden Age of Grotesque'' originally held the honor of biggest drop from #1 in the history of the Billboard 200 Albums chart, when it fell from #1 to #21 in its second week. Incubus broke this record in 2006 when their newly released album ''Light Grenades'' fell from #1 to #37 in its second week of charting.<ref>[http://www.billboard.com/#/news/chart-beat-1003521922.story Chart Beat]. Billboard.com. December 14, 2006.</ref>
 
* ''The Golden Age of Grotesque'' originally held the honor of biggest drop from #1 in the history of the Billboard 200 Albums chart, when it fell from #1 to #21 in its second week. Incubus broke this record in 2006 when their newly released album ''Light Grenades'' fell from #1 to #37 in its second week of charting.<ref>[http://www.billboard.com/#/news/chart-beat-1003521922.story Chart Beat]. Billboard.com. December 14, 2006.</ref>
−
* A film called "''[[A Grotesque Evening with Marilyn Manson]]''" was released in Mexico to promote the album.
+
* A film called "''[[A Grotesque Evening with Marilyn Manson]]''" was released in Spain to promote the album.
−
 
+
−
== Album Credits ==
+
−
 
+
−
<big>THE CAST:</big> MARILYN MANSON<small> as himself and also known or referred to as "Herr Doktor". This is the creator of all vocals and OB ART manipulator of various instruments including: a burning piano, synthetic bass, mellotron, the saxophone and the mutilation of audio for personal use. He maintained some rhythm directive including (but not limited to) loops and snare drum rolls. There were also occasions where the one string guitar was implemented for dramatic purposes.</small> JOHN 5 <small>AS THE LEAD GUITARIST DEMAGOGUE: HE IS RESPONSIBLE FOR RHYTHM, LEAD AND DISSONANCE IN THE FIELD OF GUITARS (INCLUDING BUT NOT LIMITED TO) THE 5, 6 AND 7 STRING INSTRUMENTS. PIANO AND VARIOUS ORCHESTRAL ELEMENTS WERE ALSO CHOREOGRAPHED BY HIM USING HIS GUITAR IN A MANNER OFTEN VIEWED AS INNAPPROPRIATE.</small> M.W. GACY <small>as the chief chemist and philosopher of electronics, specializing in the field of keyboards and responsible for synthesizers, discoloration of words, loops and political melody. INTRODUCING:</small> TIM SKOLD<small> WHO STARS AS THE BASSIST. HE IS THE SHAPER OF ELECTRONICS, LOOPS, SYNTH BASS, KEYBOARDS AND ACCORDIAN. HE ALSO IS RESPONSIBLE FOR OB ART CONSTRUCTIVISM OF GUITAR AND BEAT.</small> GINGER FISH<small> AS THE LIVE DRUMMER AND PRIMAL METER INTERPRETER. LEADER OF ALL RHYTHM DIVISIONS OF MARCHING AND BIG BAND KORPS.</small>
+
−
 
+
  
−
PRODUCED BY MARILYN MANSON AND TIM SKOLD <small> RECORDED AND ARRANGED BY MARILYN MANSON AND TIM SKOLD</small> CO-PRODUCED AND MIXED BY BEN GROSSE <small>ALL DRUM PROGRAMMING AND DIGITAL EDITING BY TIM SKOLD. MASTERED BY: TOM BAKER AT PRECISION MASTERING. RECORDED AT DOPPELHERZ STUDIO AND THE MIX ROOM/BURBANK. MIXED AT THE MIX ROOM/BURBANK. ADDITIONAL RECORDING AT THE MIX ROOM BURBANK AND OCEAN WAY/LA. ADDITIONAL RECORDING BY: BEN GROSSE. ASSISTANT ENGINEER: CHUCK BAILEY. OCEAN WAY ASSISTANT: JEFF BURNS. ADDITIONAL DIGITAL EDITNG: BLUMPY, BAN GROSSE. DRUM TECHNICIAN: ROSS GARFIELD/DRUM DOCTORS. MANSON: ALL TRACKS SONGS OF GOLGOTHA MUSIC (BMI) ADMINISTERED WORLDWIDE BY EMI BLACKWOOD MUSIC INC. 2003. JOHN5: ALL TRACKS GTR. HACK MUSIC/CHRYSALIS MUSIC ASCAP EXCEPT TRACKS 1 & 15. TIM SKOLD: TRACKS 1,2,4,7,8,11,13,14,15 ADMINISTERD BY 120050 PUBLISHING (BMI). GACY: TRACKS 1,11,13 DCLXCI MUSIC (BMI) ADMINISTERED WORLD WIDE BY EMI BLACKWOOD MUSIC INC 2003.</small> ARTWORK BY: GOTTFRIED HELNWEIN <small>INLAY PHOTO: MARILYN MANSON. INLAY BAND PHOTO: PEROU. DESIGN: BAU-DA DESIGN LAB. MANAGEMENT: TOY CIULLA. LEGAL: JEFFERY TAYLOR LIGHT. BUSINESS MANAGEMENT: JAY SENOYK. A&R MARK WILLIAMS. AGENTS RICK ROSKIN/CHRIS DALSTON @ CAA / EMMA BANKS @ HELTER SKELTER. COLLABORATERS, FELLOW ARTISTS, LOVERS AND FRIENDS WE WISH TO ACKNOWLEDGE AND THANK: GOTTFRIED HELNWEIN, DITA VON TEESE, GUEST VOCALISTS: MINDY AND MONIQUE, JOHN CIULLA, GLENDA BORDEN, BRITTANY BOWEN, CYRIL HELNWEIN AND THE HELNWEIN FAMILY, BARB & HUGH WARNER, P.R. BROWN, PEROU, JOHN BLAINE (HAIR STYLIST), JENNIFER RAID (WARDROBE STYLIST), CHARLES KOUTRIS,STEVE MACAULEY, MIMI, THE OSBOURNES, THE BIERS, EDDIE DEBARR, AND EVERYONE AT INTERSCOPE </small> WWW.MARILYNMANSON.COM
+
==Personnel==
 +
* [[Marilyn Manson]] – vocals, keyboards, synthesizer bass, mellotron, saxophone, digital editing, loops, snare drum rolls, producer
 +
* [[John 5]] – guitar, piano, orchestration
 +
* [[Tim Skold]] – bass, guitar, accordion, keyboards, producer, loops, artwork, digital editing, drum programming, synthesizer bass, electronics, beats
 +
* [[Ginger Fish]] – drums, rhythm direction
 +
* Chuck Bailey – assistant engineer
 +
* Tom Baker – mastering
 +
* Jon Blaine – hair stylist
 +
* Blumpy – digital editing
 +
* Jeff Burns – assistant
 +
* Ross Garfield – drum technician
 +
* Lily & Pat – backing vocals
 +
* Ben Grosse – producer, engineer, digital editing, mixing
 +
* Mark Williams – A&R
 +
* [[Gottfried Helnwein]] – art direction
 +
* Andrew Baines – backing vocals
  
−
== Analysis ==
+
==Analysis==
 
For further reading and in depth analysis refer to [http://www.nachtkabarett.com/ArtAndTheGoldenAgeOfGrotesque The Nachtkabarett:Art & The Golden Age] & [http://www.nachtkabarett.com/DegenerateArt The NAchtkabarett:Degenerate Art & Fascism]
 
For further reading and in depth analysis refer to [http://www.nachtkabarett.com/ArtAndTheGoldenAgeOfGrotesque The Nachtkabarett:Art & The Golden Age] & [http://www.nachtkabarett.com/DegenerateArt The NAchtkabarett:Degenerate Art & Fascism]
  
−
== See also ==
+
==See also==
−
* [[Grotesk Burlesk (tour)]]
+
*[[Grotesk Burlesk (tour)]]
  
−
== References ==
+
==References==
 
<references/>
 
<references/>
  
 
{{Discography}}
 
{{Discography}}
  
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{{DEFAULTSORT:Golden Age of Grotesque (album)}}
+
[[Category:The Golden Age of Grotesque Era]]
−
[[Category:The Golden Age of Grotesque era]]
+
[[Category:Marilyn Manson Discography]]
−
[[Category:Marilyn Manson discography]]
+
 
[[Category:Studio albums]]
 
[[Category:Studio albums]]
 +
[[Category:Marilyn Manson]]
 +
[[Category:Ginger Fish]]
 +
[[Category:John 5]]
 +
[[Category:Tim Skold]]

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