Mechanical Animals (tour)
Mechanical Animals Tour | ||
---|---|---|
Tour by Marilyn Manson | ||
Supporting album | Mechanical Animals | |
Start date | October 25, 1998 | |
End date | January 31, 1999 | |
Legs | 2 (3) | |
Shows | 52 | |
Marilyn Manson tour chronology | ||
Dead to the World (1996-1997) |
Mechanical Animals Tour (1998-1999) |
Rock Is Dead (1999) |
- This article is about the tour. For other uses, see Mechanical Animals (album) and Mechanical Animals (song).
Mechanical Animals was the sixth tour Marilyn Manson embarked on, under management of major record label Interscope Records. It was also the band's second tour to span over multiple legs, despite only spanning two legs rather than that of the Dead to the World Tour's eight legs. After originally slated to start on June 26th 1998, the first set of dates were canceled and the band was on the tour from October 25, 1998[1] until January 31, 1999.
Contents
Lineup
- Vocals: Marilyn Manson
- Guitar: John 5
- Bass: Twiggy Ramirez
- Keyboards: Madonna Wayne Gacy
- Drums: Ginger Fish
Track listing
The following list contains the most commonly played songs in the order they were most generally performed:
- "Inauguration of the Mechanical Christ" (Intro)
- "The Reflecting God"
- "Great Big White World"
- "Cake and Sodomy"
- "Posthuman"
- "Mechanical Animals"
- "I Want to Disappear"
- "Sweet Dreams (Are Made of This)" (With "Hell Outro")
- "The Speed of Pain"
- "Rock Is Dead"
- "The Dope Show"
- "Lunchbox"
- "User Friendly"
- "I Don't Like the Drugs (But the Drugs Like Me)"
- "Rock 'n' Roll Nigger"
- "Antichrist Superstar"
- "The Beautiful People"
- "The Last Day on Earth"
- "Irresponsible Hate Anthem"
- "Astonishing Panorama of the Endtimes"
- "Golden Years" (Outro)
Opening songs
Tour legs
Tour Leg | Time Span |
---|---|
Mechanical Animals European Festival Tour | 1998/06/25 – 1998/07/12 |
Mechanical Animals World Tour | 1998/10/25 – 1999/01/12 |
Mechanical Animals Big Day Out Festival Tour | 1999/01/15 – 1999/01/31 |
Reception
Critical reception
Music critic Tim Finn of the The Kansas City Star commented that, overall, the show was "far less a spectacle than the Antichrist Superstar tour."[1]
References
See also
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