Editing Interview:2016/09/26 Marilyn Manson: All-American Nightmare

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Manson’s professed disregard for the current cultural zeitgeist and simultaneous expert knowledge of it is apt from a frontman whose tabloid-trashing message has always come from a philosophical standpoint. “[[The Dope Show|We’re all stars now, in the Dope Show]]” is as true today as it was when first uttered in 1998, and yet, the singer consumes pop culture to the point of inserting himself into it, with TV cameos and celebrity selfies that could make diehard Manson fans cringe. Unlike Slipknot and similar-sounding acts, Manson isn’t afraid of a little glamour. The lyrics he’s most known for ring, in 2016, more Warholian than Machiavellian: after all, his very stage name is a comment on the decentred celebrity, a mash-up of the tragically overexposed actress Marilyn Monroe and the music-industry obsessed psycho-killer Charles Manson. And his music is, of course, only part of the equation: to some he’s a menace to the church, to others a scapegoat for teen violence, but to most of us, he’s a misfit among misfits, too commercial to be truly cool. Now that the dust of Manson’s initial affront to parents has pretty much settled, Marilyn Manson the glam rock-like musician comes clearly into focus. The songs even sound catchy.
 
Manson’s professed disregard for the current cultural zeitgeist and simultaneous expert knowledge of it is apt from a frontman whose tabloid-trashing message has always come from a philosophical standpoint. “[[The Dope Show|We’re all stars now, in the Dope Show]]” is as true today as it was when first uttered in 1998, and yet, the singer consumes pop culture to the point of inserting himself into it, with TV cameos and celebrity selfies that could make diehard Manson fans cringe. Unlike Slipknot and similar-sounding acts, Manson isn’t afraid of a little glamour. The lyrics he’s most known for ring, in 2016, more Warholian than Machiavellian: after all, his very stage name is a comment on the decentred celebrity, a mash-up of the tragically overexposed actress Marilyn Monroe and the music-industry obsessed psycho-killer Charles Manson. And his music is, of course, only part of the equation: to some he’s a menace to the church, to others a scapegoat for teen violence, but to most of us, he’s a misfit among misfits, too commercial to be truly cool. Now that the dust of Manson’s initial affront to parents has pretty much settled, Marilyn Manson the glam rock-like musician comes clearly into focus. The songs even sound catchy.
  
Manson clearly isn’t your average eye-rolling alternative rocker, unimpressed by the mainstream. Instead, like [[David Bowie|Bowie]] before him with his constant questioning of celebrity, he has himself become the new textbook rock star. His claims to be “bigger than Satan” (recently mimicked on a t-shirt by Justin Bieber) have all but come true, and now, luckily for us, he has that axe to grind as well. For a fanboy from Florida with a cynical take on fame who makes music best heard at top volume on bondage night at a strip club, he is uncomfortably massive. His early work is cemented on screen as part of the golden age of music videos, and this autumn, he’ll release a secret stash of shelved footage to promote a 20th anniversary edition of his most celebrated album, ''[[Antichrist Superstar]]''. To prove he’s still the same irreverent kid that put out such a seminal album two decades ago, Manson is also promising a new record, ''[[Heaven Upside Down|SAY10]]'', for 2017 that keeps in mind what made him form a band in the first place: to get girls to like him.
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Manson clearly isn’t your average eye-rolling alternative rocker, unimpressed by the mainstream. Instead, like [[David Bowie|Bowie]] before him with his constant questioning of celebrity, he has himself become the new textbook rock star. His claims to be “bigger than Satan” (recently mimicked on a t-shirt by Justin Bieber) have all but come true, and now, luckily for us, he has that axe to grind as well. For a fanboy from Florida with a cynical take on fame who makes music best heard at top volume on bondage night at a strip club, he is uncomfortably massive. His early work is cemented on screen as part of the golden age of music videos, and this autumn, he’ll release a secret stash of shelved footage to promote a 20th anniversary edition of his most celebrated album, ''[[Antichrist Superstar]]''. To prove he’s still the same irreverent kid that put out such a seminal album two decades ago, Manson is also promising a new record, ''[[Say10|SAY10]]'', for 2017 that keeps in mind what made him form a band in the first place: to get girls to like him.
  
 
'''Do you feel like you were, or are, a Club Kid?'''
 
'''Do you feel like you were, or are, a Club Kid?'''

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