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| − | {{Disambiguation|the film|the song|Doppelherz (song)}}
| + | :''This article is about the short film. For the song, see [[Doppelherz (song)]].'' |
| | | | |
| − | {{Film | + | {{Album |
| − | | Name = Doppelherz | + | | Name = Doppelherz |
| − | | Cover = Doppelherz.jpg | + | | Type = video |
| − | | Cover size =
| + | | Artist = [[Marilyn Manson (band)|Marilyn Manson]] |
| − | | Caption =
| + | | Cover = Doppelherz(Disc).png |
| − | | Role = by Marilyn Manson | + | | Released = May 13, 2003 |
| − | | Director = Marilyn Manson, [[Tim Skold]], Nicole McDonald | + | | Recorded = 2003 |
| − | | Producer = Marilyn Manson, [[Gottfried Helnwein]] | + | | Genre = Surrealism |
| − | | Writer = Marilyn Manson | + | | Length = 25:00 |
| − | | Narrator = Marilyn Manson | + | | Label = [[Nothing Records|Nothing]], [[Interscope Records|Interscope]] |
| − | | Starring = Marilyn Manson, [[Dita Von Teese]], Tim Skold, [[Stephen Bier]], [[John 5]], [[Ginger Fish]] | + | | Director = [[Marilyn Manson]], Nicole McDonald |
| − | | Music = Marilyn Manson, Tim Skold | + | | Producer = Marilyn Manson |
| − | | Cinematography = | + | | Reviews = |
| − | | Editing = | + | | Last album = ''[[Guns, God and Government World Tour]]''<br>(2002) |
| − | | Studio = | + | | This album = '''''Doppelherz'''''<br>(2003) |
| − | | Distributor = | + | | Next album = ''[[(s)AINT#Music video|(s)AINT Video (Uncut, Unrated, Banned by Label)]]''<br>(2004) |
| − | | Released = May 13, 2003 | + | |
| − | | Runtime = 26:06
| + | |
| − | | Country = United States
| + | |
| − | | Language = English
| + | |
| − | | Budget =
| + | |
| − | | Gross =
| + | |
| − | | IMDb = https://www.imdb.com/title/tt0367672/
| + | |
| | }} | | }} |
| − | '''''Doppelherz''''' is a twenty-five minute short film directed by [[Marilyn Manson]] in 2003, using music composed a year prior, in 2002. The name ''Doppelherz'' is German for "double-heart". The DVD comes with the original pressings of [[Marilyn Manson (band)|Marilyn Manson]]'s 2003 album, ''[[The Golden Age of Grotesque]]'', released on May 13, 2003. This pressing of the album is now out of print, and the film has yet to see standalone release.
| |
| | | | |
| − | == Lyrics ==
| + | '''''Doppelherz''''' is a twenty-five minute short film directed by [[Marilyn Manson]] in 2003, using music composed a year prior, in 2002. The name ''Doppelherz'' is German for "double-heart". The DVD comes with the original pressings of [[Marilyn Manson (band)|Marilyn Manson]]'s 2003 album, ''[[The Golden Age of Grotesque (album)|The Golden Age of Grotesque]]'', released on May 13, 2003. This pressing of the album is now out of print, and the film has yet to see standalone release. |
| − | My pilot light has flickered out
| + | |
| − | You've knocked me off the hook
| + | |
| − | The person you are trying to reach is no longer here
| + | |
| − | I'm not really tall, dark and handsome
| + | |
| − | I just look that way
| + | |
| − | I'm a canvas that bleeds
| + | |
| − | And I'm painted with fingers
| + | |
| − | Childish pictures
| + | |
| − | Of you that still linger
| + | |
| − | Bury you're wasted into the moon
| + | |
| − | Hoping that it sinks to the earth soon
| + | |
| − | Bury you're wasted into the moon
| + | |
| − | I hope that it sinks into the earth soon
| + | |
| − |
| + | |
| − | My pilot light has flickered out
| + | |
| − | You've knocked me off the hook
| + | |
| − | The person you are trying to reach is no longer here
| + | |
| − | I'm a canvas that bleeds
| + | |
| − | And I'm painted with fingers
| + | |
| − | Childish pictures of you that still linger
| + | |
| − | I am a VCR
| + | |
| − | A funeral of dead memory waste
| + | |
| − | I'm a VCR
| + | |
| − | A funeral of dead memory waste
| + | |
| − | You can see it on my face
| + | |
| − | I'm a VCR funeral
| + | |
| − | Of dead memory waste
| + | |
| − | You can see it on my face
| + | |
| − | My smile is a chain link fence
| + | |
| − | I dare not frown
| + | |
| − | For fear of what comes out
| + | |
| − | My smile is a chain link fence
| + | |
| − | And I dare not frown for fear of what comes out
| + | |
| − |
| + | |
| − | Sing a song kitty
| + | |
| − | Sing it
| + | |
| − | Sing it kitty
| + | |
| − | Sing it
| + | |
| − | Some people don't think that Lily
| + | |
| − | Is smart enough to understand what I'm thinking
| + | |
| − | But I know if she could she would kill
| + | |
| − | Everybody that I hate, 'cause she loves me
| + | |
| − | 'Cause I took care of her since she was a little baby
| + | |
| − |
| + | |
| − | I am a VCR funeral of dead memory waste
| + | |
| − | You can see it in my face
| + | |
| − | As drink crawls down the esophagus staircase
| + | |
| − | Into my bowels of hell
| + | |
| − | Naked like clown faces all smeared clean
| + | |
| − | Naked like clown faces all smeared clean in the spotlight
| + | |
| − | Naked like clown faces all smeared clean in the spotlight
| + | |
| − |
| + | |
| − | I'm a VCR funeral of dead memory waste you can see it on my face
| + | |
| − | Dead memory waste
| + | |
| − |
| + | |
| − | Kill me, kill everyone, you can let them all die
| + | |
| − | The only thing in this world that does not die is money
| + | |
| − | You can kill me, you can kill them, you can let everyone die
| + | |
| − | The only thing in this world that does not die is money
| + | |
| − | You can kill me, you can kill them, you can let everyone die
| + | |
| − | The only thing immortal in this world is money
| + | |
| − | You can kill me, you can kill them, you can let everything die
| + | |
| − | The only thing immortal in this world is money
| + | |
| − | The only thing immoral in this world is money
| + | |
| − | The only thing oral in this world is money
| + | |
| − | The only thing in this is money
| + | |
| − | The only thing is me
| + | |
| − | The
| + | |
| − | Me
| + | |
| − | Thee
| + | |
| − | The only thing immortal in this world is money
| + | |
| − | The person you are trying to reach is no longer here
| + | |
| − | You have knocked me off the hook
| + | |
| − | The person you are trying to reach is no longer here
| + | |
| − | You have knocked me off the hook
| + | |
| − |
| + | |
| − | You are afraid that you are no equal
| + | |
| − | While you are spending my money
| + | |
| − | You are afraid you are no equal while you are spending my money
| + | |
| − | You can kill me, you can kill them, you can let everyone die
| + | |
| − | The only thing immortal in this world is money
| + | |
| − | Why would I want to be equal with anyone?
| + | |
| − | You think you're not equal while you're spending my money
| + | |
| − | Why would I want to be equal with anyone?
| + | |
| − | Why would I want to be equal with anyone?
| + | |
| − | To be equal you have to add or subtract
| + | |
| − | And I have never liked math
| + | |
| − | To be equal you have to add or subtract
| + | |
| − | And I have never liked math
| + | |
| − | You are recognizable, as just another part in a vast machine
| + | |
| − | You are recognizable, as just another part in a vast machine
| + | |
| − | The only thing immortal in this world is money
| + | |
| − | The only thing original in this world is the way we destroy things
| + | |
| − | Everything has already been created
| + | |
| − | So we can only deal with new ways of destroying them
| + | |
| − | Everything has already been created
| + | |
| − | So we can only think of new ways of destroying them
| + | |
| − | Stop rehearsing alcohol and start performing narcotics
| + | |
| − | Stop rehearsing alcohol and start performing narcotics
| + | |
| − | Stop rehearsing alcohol and start performing narcotics
| + | |
| − | Do you think that animals believe in God?
| + | |
| − | Do you think that animals believe in God?
| + | |
| − | Do you think that animals believe in God?
| + | |
| − | To be equal you must add or subtract
| + | |
| − | People who want to be equal have lives that are filled with subtractions and auditions
| + | |
| − | To be equal you must add or subtract
| + | |
| − | People who want to be equal's lives' are filled with subtractions and auditions
| + | |
| − |
| + | |
| − | We will call you back and tell you
| + | |
| − | Don't call us, we'll call you
| + | |
| − | Don't call us, we'll call you
| + | |
| − | Do animals believe in God?
| + | |
| − | Do animals believe in God?
| + | |
| − | Do animals believe in God?
| + | |
| − | Do animals believe in God?
| + | |
| − |
| + | |
| − | Stop rehearsing alcohol and start performing narcotics
| + | |
| − | This is a Caucasian occasion
| + | |
| − | This is a Caucasian occasion
| + | |
| − | Could someone please autograph the frontal lobe?
| + | |
| − | Could someone please autograph the frontal lobe?
| + | |
| − | The insurance will not cover this
| + | |
| − | Could someone please autograph the frontal lobe?
| + | |
| − | The insurance will not cover this
| + | |
| − | Can someone please autograph the frontal lobe, the insurance will not cover this
| + | |
| − |
| + | |
| − | And the young are too senile
| + | |
| − | The young are too senile
| + | |
| − | The young are too senile
| + | |
| − | The young are too senile
| + | |
| − | The young are too senile
| + | |
| − | The young are too senile
| + | |
| − | The young are too senile
| + | |
| − | The young are too senile
| + | |
| − | The young are too senile
| + | |
| − | The young sieg heil
| + | |
| − | The young sieg heil
| + | |
| − | Young are too senile
| + | |
| − | The young sieg heil
| + | |
| − |
| + | |
| − | Do animals believe in god?
| + | |
| − | Do animals believe in god?
| + | |
| − | Do animals believe in god?
| + | |
| − | I'm a kickstand in your mouth
| + | |
| − | I am a kickstand in your mouth
| + | |
| − | I am a kickstand in your mouth
| + | |
| − | I am a kickstand in your mouth
| + | |
| − | The insurance won't cover this
| + | |
| − | The insurance won't cover this
| + | |
| − |
| + | |
| − | You can run as fast as you want
| + | |
| − | But you can never outrun the cliché
| + | |
| − | You can run as fast as you want
| + | |
| − | But you can never outrun the cliché
| + | |
| − | You can run as fast as you want
| + | |
| − | But you can never outrun the cliché
| + | |
| − | The young are senile the young are senile
| + | |
| − | Have I outgrown my spotlight?
| + | |
| − | Have I outgrown my spotlight?
| + | |
| − | Have I outgrown my spotlight?
| + | |
| − | My pupils are not students, they dilate but they never learn
| + | |
| − | My pupils are not students, they dilate but they never learn
| + | |
| − | My pupils are not students, they dilate but they never learn
| + | |
| − | My pupils are not students, they dilate but they never learn
| + | |
| − | Each time we roll up the dollar bill, we suffocate the president
| + | |
| − | Each time we roll up a dollar bill, we suffocate the president
| + | |
| − | Each time we roll up the dollar bill, we are suffocating the president
| + | |
| − | Each time we roll up the dollar bill, we suffocate the president
| + | |
| − |
| + | |
| − | Just say now
| + | |
| − | Would you suck America's tits?
| + | |
| − | I want you to just say now, would you suck America's tits?
| + | |
| − | I want you to just say now, would you suck America's tits?
| + | |
| − | I want you to just say now, would you suck America's tits?
| + | |
| − | I want downloadable suicide
| + | |
| − | I want downloadable suicide
| + | |
| − | I want downloadable suicide
| + | |
| − | I want downloadable suicide
| + | |
| − | I want downloadable suicide
| + | |
| − | I want everything when I want it and I want it now
| + | |
| − | I want everything when I want it and I want it now
| + | |
| − | I want everything before I want it and I already wanted it so I don't want it anymore
| + | |
| − | I want everything when I want it and I want it now
| + | |
| − | I want everything before I want it so I don't want it anymore
| + | |
| − | I want downloadable suicide
| + | |
| − | I want a newer version
| + | |
| − | I want downloadable suicide
| + | |
| − | I want a newer version
| + | |
| − | I want downloadable suicide
| + | |
| − | Version I don't know
| + | |
| − | Version I don't point know
| + | |
| − | Version I don't point no
| + | |
| − | Version I point the gun at me
| + | |
| − | Oh
| + | |
| − | Oh
| + | |
| − | Version I don't know
| + | |
| − | Version I point the gun at me point Oh oh oh oh oh
| + | |
| − | I want downloadable suicide
| + | |
| − |
| + | |
| − | If I sneeze will anyone bless me?
| + | |
| − | If I sneeze will anyone bless me?
| + | |
| − | If I sneeze will anyone bless me?
| + | |
| − | Stop rehearsing alcohol and start performing narcotics
| + | |
| − | I keep watering a dead flower
| + | |
| − | Keep watering a dead flower
| + | |
| − | Keep watering the dead flower
| + | |
| − | Keep watering a dead flower
| + | |
| − | Keep watering a dead flower
| + | |
| − | Keep watering a dead flower
| + | |
| − | Keep watering a dead flower
| + | |
| − | Keep watering a dead flower
| + | |
| − | Everything I make is a piece of plant
| + | |
| − | And some day it could have been a flower
| + | |
| − | And the things that are flowers are dead
| + | |
| − | Till I keep watering a dead flower
| + | |
| − | Keep watering a dead flower
| + | |
| − | There's not enough of me to make a bouquet
| + | |
| − | There's not enough of me to make a bouquet
| + | |
| − | Stop watering the dead flower
| + | |
| − | Stop watering a dead flower
| + | |
| − | Stop watering a dead flower
| + | |
| − |
| + | |
| − | I have no balance
| + | |
| − | I am like snow
| + | |
| − | And I melt away
| + | |
| − | I have no balance and I am like snow and I melt away
| + | |
| − | I have to balance
| + | |
| − | I am like snow
| + | |
| − | And I melt away
| + | |
| − |
| + | |
| − | As you are listening
| + | |
| − | I want you to know
| + | |
| − | That you are nothing
| + | |
| − | But a screen that I will project
| + | |
| − | My images of sorrow, pain and sex upon
| + | |
| − | Although there is no difference between the three
| + | |
| − | As you are listening
| + | |
| − | I want you to know
| + | |
| − | That you are nothing
| + | |
| − | But a screen that I will project
| + | |
| − | My images of sorrow, pain and sex upon
| + | |
| − | Although there is no difference between the three
| + | |
| − | As you are listening I want you to know that you are only a screen
| + | |
| − | That I project my images of sorrow, pain and suffering and sex upon
| + | |
| − | Although there is no difference between the three and the one
| + | |
| − | As you are listening I want you to know that you are nothing but a screen
| + | |
| − | That I project my images of suffering, sorrow, pain, sex
| + | |
| − | And the brief glimmer of happiness I find in the misery
| + | |
| − | Of those who are sitting in the theatre of which this screen exists
| + | |
| − | I want you to know as you are listening
| + | |
| − | That you are nothing but a screen
| + | |
| − | That I project my images of sorrow, pain, suffering, sex
| + | |
| − | And the brief glimpse of happiness I get from the misery
| + | |
| − | Of those who sit in the theatre that this screen exists will feel while they listen
| + | |
| − | The brief glimpse of happiness that I feel as
| + | |
| − | Those who sit in the theatre that this screen exists will feel as they listen
| + | |
| − |
| + | |
| − | This isn't about music
| + | |
| − | This is about the difference between you and me
| + | |
| − | This isn't about music
| + | |
| − | This is about the difference between you and me
| + | |
| − | This isn't about music
| + | |
| − | This is about the difference between you and me
| + | |
| − | This isn't about music
| + | |
| − | This is about the difference between you and me
| + | |
| − | This isn't about music
| + | |
| − | This is about the difference between you and me
| + | |
| − |
| + | |
| − | I am a birthday cake that we light up, blow out, cut apart and forget
| + | |
| − | I am a birthday cake that you light up, blow out, cut apart and forget
| + | |
| − | I am a birthday cake that you light up, blow out, cut apart, devour and forget
| + | |
| − | I am a birthday cake that you light up, blow out, cut apart, devour and forget
| + | |
| − |
| + | |
| − | And I'm just like a holiday because I make everyone in the family cry
| + | |
| − | And I'm just like a holiday because I make everyone in the family cry
| + | |
| − | And I'm just like a holiday because I make everyone in the family cry
| + | |
| − |
| + | |
| − | Love your enemy because love is the enemy
| + | |
| − | Love your enemy because love is the enemy
| + | |
| − | Love your enemy because love is the enemy
| + | |
| − | Love your enemy because love is the enemy
| + | |
| − | Your sell by date has expired
| + | |
| − | Your sell by date has expired
| + | |
| − | Your sell by date has expired
| + | |
| − | Your sell by date has expired
| + | |
| − |
| + | |
| − | Our commercial should be faster because we are all just slowguns
| + | |
| − | Waiting to have our triggers pulled
| + | |
| − | The commercials need to be faster because we are all just slowguns
| + | |
| − | Waiting to have our triggers pulled
| + | |
| − | The commercials should be faster because we are just slowguns
| + | |
| − | Waiting to have our triggers pulled
| + | |
| − | The commercials should be faster because we are just slowguns
| + | |
| − | Waiting to have our triggers pulled
| + | |
| − | The commercials should be faster because we are just slowguns
| + | |
| − | Waiting to have our triggers pulled
| + | |
| − | The commercials should be faster because we are just slowguns
| + | |
| − | Waiting to have our triggers pulled
| + | |
| − | The commercials should be faster because we are just slowguns
| + | |
| − | Waiting to have our triggers pulled
| + | |
| − |
| + | |
| − | Don't bother trying to save the brainforest
| + | |
| − | Don't bother trying to save the brainforest
| + | |
| − | Don't bother trying to save the brainforest
| + | |
| − | My pain is not ashamed to repeat itself
| + | |
| − | My pain is not ashamed to repeat itself
| + | |
| − | My pain is not ashamed to repeat itself
| + | |
| − | My pain is not ashamed to repeat itself
| + | |
| − | My pain is not ashamed to repeat itself
| + | |
| − |
| + | |
| − | The aspiration to save the world is a morbid phenomenon of today's youth
| + | |
| − | The aspiration to save the world is a morbid phenomenon of today's youth
| + | |
| − | The aspiration to save the world is a morbid phenomenon of today's youth
| + | |
| − |
| + | |
| − | Each time someone believes what I say, I become a lie
| + | |
| − | Each time someone believes what I say, I become a lie
| + | |
| − | Each time someone believes what I say, I become a lie
| + | |
| − | Each time someone believes what I say, I become a lie
| + | |
| − |
| + | |
| − | We have reached the end of history
| + | |
| − | The only thing left is cosmetic changes
| + | |
| − | We have reached the end of history
| + | |
| − | The only thing that's left is cosmetic changes
| + | |
| | | | |
| − | == Production credits == | + | ==Production credits== |
| | <center> | | <center> |
| | DOPPELHERZ | | DOPPELHERZ |
| Line 385: |
Line 54: |
| | Benjamin Palmer<br> | | Benjamin Palmer<br> |
| | Marilyn Manson<br> | | Marilyn Manson<br> |
| − | [[Stephen Bier|M.W. Gacy]]<br> | + | [[Madonna Wayne Gacy|M.W. Gacy]]<br> |
| | [[John 5]]<br> | | [[John 5]]<br> |
| | [[Ginger Fish]]<br> | | [[Ginger Fish]]<br> |
| Line 393: |
Line 62: |
| | Cyril Helnwein<br> | | Cyril Helnwein<br> |
| | Amy Coulter<br> | | Amy Coulter<br> |
| − | [[Hugh Warner]]<br>
| + | Hugh Warner<br> |
| | Paul L. Chun<br> | | Paul L. Chun<br> |
| | J.T. Harding | | J.T. Harding |
| Line 407: |
Line 76: |
| | </center> | | </center> |
| | | | |
| − | == Cover gallery == | + | ==Cover gallery== |
| − | {{Gallery
| + | <gallery> |
| − | | Doppelherz.jpg =
| + | Image:Doppelherz(Disc).png|<center>Disc |
| − | | Doppelherz(Disc).png = Disc
| + | Image:Doppelherz(Menu).png|<center>Main menu |
| − | | Doppelherz(Menu).png = Main menu}}
| + | </gallery> |
| | | | |
| − | == Trivia == | + | ==Trivia== |
| | * When the title appears on-screen at the beginning of the film, it is misspelled, shown here as "Doppleherz". | | * When the title appears on-screen at the beginning of the film, it is misspelled, shown here as "Doppleherz". |
| | | | |
| − | == Personnel == | + | ==Personnel== |
| − | === Cast === | + | ===Cast=== |
| | * [[Marilyn Manson]] – Himself | | * [[Marilyn Manson]] – Himself |
| | * [[Madonna Wayne Gacy]] – Himself | | * [[Madonna Wayne Gacy]] – Himself |
| Line 426: |
Line 95: |
| | * Nicole McDonald – Siamese Twin #1 | | * Nicole McDonald – Siamese Twin #1 |
| | * Amy Coulter – Siamese Twin #2 | | * Amy Coulter – Siamese Twin #2 |
| − | * [[Hugh Warner]] – Manson, Sr. | + | * Hugh Warner – Manson, Sr. |
| | | | |
| − | === Crew === | + | ===Crew=== |
| | * Marilyn Manson – director, producer, score | | * Marilyn Manson – director, producer, score |
| | * Nicole McDonald – director, art direction <small>(uncredited)</small> | | * Nicole McDonald – director, art direction <small>(uncredited)</small> |
| Line 440: |
Line 109: |
| | * John Lands – assistant camera | | * John Lands – assistant camera |
| | | | |
| − | == External links == | + | ==External links== |
| − | * [http://www.youtube.com/view_play_list?p=C0B4FEE00DDA3183 ''Doppelherz''] on 's YouTube channel | + | * [http://www.youtube.com/view_play_list?p=C0B4FEE00DDA3183 ''Doppelherz''] on [[MansonWiki:About|MansonWiki]]'s YouTube channel |
| | | | |
| − | {{Videography}} | + | {{Marilyn Manson}} |
| | | | |
| − | [[Category:Films]]
| + | [[Category: Marilyn Manson Discography]] |
| − | [[Category:Marilyn Manson discography]] | + | |
| − | [[Category:The Golden Age of Grotesque era]]
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